Twelve Spanish Dances, Volume II Cover Image

Twelve Spanish Dances, Volume II: Piano Book

$9.99 USD
Sale price  $9.99 USD Regular price 
Skip to product information
Twelve Spanish Dances, Volume II Cover Image

Twelve Spanish Dances, Volume II: Piano Book

Nos. 7-12

By Enrique Granados

Item: 00-K03479

makemusic Cloud badge
$9.99
Shipped

One moment…

Description
Titles: No. 7, Valenciana * No. 8, Asturiana * No. 9, Mazurca * No. 10, Danza Triste * No. 11, Zambra * No. 12, Arabesca.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Twelve Spanish Dances, Volume II: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-4076-3
ISBN13: 978-0-7692-4076-3
UPC: 029156075533
SKU: 00-K03479

More about this title

About the Composer: Enrique Granados

Enrique Granados (1867-1916) was a Spanish composer and pianist whose gift for melody and harmonic color made him a central figure in the Romantic piano repertoire. Though he wrote orchestral and chamber works, his legacy rests largely on his piano compositions, which capture the spirit of Spanish folk music while operating within a sophisticated European Romantic idiom. His most famous work, Goyescas, demonstrates his ability to paint vivid musical scenes inspired by Spanish life and art.

The Twelve Spanish Dances represent Granados at his most accessible and nationally conscious. Composed across his career, these pieces blend technical brilliance with genuine folk character, making them essential repertoire for pianists exploring the Spanish Romantic tradition. Granados drowned in 1916 during a ship crossing, leaving behind a body of work that remains central to recital programming and advanced student study.

Why we love this

Granados writes with genuine melodic generosity; these dances offer your students real Spanish character without the virtuosic demands of Goyescas. Volume II contains some of his most colorful harmonic writing, and the collection's variety in tempo, mood, and texture makes it ideal for building interpretive range and understanding how folk idioms translate into concert music.

What to expect

These dances pulse with the warmth of Spanish regional life. You encounter the languid grace of the Valenciana, the rustic energy of the Asturiana, the dark lyricism of the Danza Triste, and the exotic allure of the Zambra. Granados's gift is making these regional characters feel both authentic and refined, never straying into sentimentality.

Who it's for

Advanced amateur pianists and undergraduate music students seeking substantial repertoire within the Romantic Spanish tradition. Teachers building comprehensive recital programs will find these pieces bridge the gap between early intermediate Romantic literature and the demands of Goyescas.

How to get the most out of it

  • Approach the rubato with flexibility, allowing the melodic line to breathe naturally rather than mechanically adhering to a steady pulse. Granados expects the pianist to shape phrases with expressive freedom.
  • Pay attention to the middle voices and inner harmony; Granados often tucks secondary melodies and rhythmic interest beneath the surface where they can be overlooked. Balance your touch accordingly.
  • Pedal conservatively in passages with rapid harmonic movement, particularly in the Zambra and Arabesca. The Spanish Romantic aesthetic values clarity over wash.
  • Study the relationship between these dances and their source material in Spanish folk traditions. Listen to recordings by Spanish pianists of Granados's era to hear how national identity shaped interpretation.

How to use it

Sequence these dances as a unified suite within a larger recital, or select individual pieces to anchor a program exploring national schools of the late Romantic period. The variety across six movements means you can program a single dance alongside earlier Classical works or late Romantic pieces, using its Spanish character as tonal contrast.

Skills your students will build

  • Rubato and expressive phrasing within a Romantic idiom
  • Independence of voices in dense harmonic textures
  • Understanding Spanish folk material and its transformation into concert music
  • Control of sustain pedal in rapid harmonic movement
  • Character differentiation across related but distinct pieces

You May Also Like