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Turtle Troop: Piano Sheet

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Turtle Troop: Piano Sheet

By Margaret Goldston

Level: Elementary

Item: 00-5304

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Additional Details
Publisher: Alfred Music
Page Count: 4
UPC: 038081050720
SKU: 00-5304

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) built her career as both a composer and educator, maintaining a private studio in North Carolina where she taught students across all age ranges and ability levels. She earned her Bachelor of Music degree in piano performance from Louisiana State University and went on to study composition privately with Pulitzer Prize winner Robert Ward, grounding her voice in serious musical craft.

Goldston's contributions to music education were recognized throughout her lifetime and beyond. The North Carolina Federation of Music Clubs named her Composer of the Year twice (1983 and 1994), and she was a sought-after clinician who led masterclasses and workshops across the United States and Canada. In 1991, LSU honored her as School of Music Alumnus of the Year, and in 2020, the Music Teachers National Association posthumously awarded her Foundation Fellow status. Her compositions remain fixtures on contest lists, particularly the NFMC Junior Festivals Bulletin.

Why we love this

Goldston's elementary repertoire has the rare quality of sounding genuinely musical while respecting what young pianists can actually achieve. The whimsical character and straightforward technical demands make this piece a refreshing alternative to generic teaching literature, and it consistently appears on competition lists because it engages both students and adjudicators.

What to expect

Playful and lighthearted, with a sense of motion and purpose that keeps the listener engaged across four pages. The title suggests charming imagery; the music itself is accessible without sounding condescending, built on straightforward harmony and a clear sense of form.

Who it's for

Elementary-level piano students who are ready for repertoire that rewards genuine musicianship, not just technical drill. Teachers seeking contest pieces that hold up to adjudication and engage younger performers with a clear musical narrative.

How to get the most out of it

  • Establish a steady, playful tempo from the start; resist the urge to slow down just because the student is young. The piece depends on rhythmic clarity to convey its character.
  • Balance the melody with any accompanying figures so the main idea always reads clearly. Young pianists often bury the tune under bass notes or chords.
  • Listen for where the piece breathes musically, and encourage slight pauses or phrase shapes rather than mechanical playing through bar lines.
  • Practice hands separately first, then combine at a very slow tempo before building to performance speed. This prevents the piece from sounding tentative.

How to use it

Program this alongside other character pieces at a student recital, or use it as a competition entry that teachers and families will both enjoy. At four pages, it provides enough substance for a meaningful performance without demanding the stamina of larger works.

Skills your students will build

  • Reading and performing consistent rhythmic patterns across both hands
  • Balancing melody and accompaniment texture
  • Maintaining steady tempo while interpreting musical character
  • Shaping phrases and understanding where music naturally breathes
  • Performing with confidence at elementary repertoire level

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