Turn the Beat Around: SATB Choral Octavo
Words and music by Peter Jackson, Jr. and Gerald Jackson / arr. Alan Billingsley
Item: 00-PO-0004378
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Peter Jackson
Peter Jackson is a composer and producer who helped shape the sound of 1980s pop and dance music, collaborating on some of the decade's most infectious and memorable hits. His work spans pop, R&B, and dance genres, with a gift for crafting rhythmically sophisticated arrangements that translate beautifully to choral settings.
Why we love this
Alan Billingsley's arrangement captures the propulsive energy and Latin groove of the original without losing the song's accessibility for student singers. The 16-page score balances rhythmic complexity with singable lines, making it energizing to rehearse and genuinely fun to perform. This is the kind of contemporary pop arrangement that builds ensemble enthusiasm and gives your choir authentic, stylish repertoire.
What to expect
From the first beat, the Latin groove grabs you. The arrangement pulses with Miami Beach heat, featuring layered harmonies, rhythmic drive, and that unmistakable Gloria Estefan swagger. Singers feel the momentum building from start to finish, and audiences respond to the infectious, celebratory energy.
Who it's for
This arrangement works for show choirs, pop choral ensembles, and any SATB choir looking to add contemporary, high-energy repertoire to their program. The choreography and staging options make it ideal for choirs that blend music with movement, while the recorded accompaniment support allows directors to focus on vocal development.
How to get the most out of it
- Lock the rhythmic pocket early in rehearsal. The Latin percussion foundation drives everything, so establish a steady pulse and keep the choir's rhythms locked to that grid from the start.
- Shape the dynamic arch carefully. The arrangement builds heat throughout, so resist the urge to sing loudly from measure one. Reserve dynamic intensity for the final sections to maximize impact.
- Balance vocal parts against the harmonic texture. With four full voices, clarity matters; ensure soprano and alto lines cut through without the lower voices dropping back too far.
- Lean into the percussive articulation. The Miami Beach style thrives on clean consonants and crisp attacks. Train precise diction and rhythmic precision to capture the arrangement's spicy character.
How to use it
This piece anchors a concert section focused on pop and contemporary repertoire, or it can spark a "Music Around the World" program featuring Latin and Caribbean styles. Its recorded accompaniment and built-in staging make it a strong choice for semi-staged concert formats or pops concerts where visual engagement enhances the performance.
Skills your students will build
- Latin rhythmic patterns and syncopation in four-part harmony
- Balancing independence and cohesion in a rhythmically complex arrangement
- Percussion awareness and staying locked to a steady groove
- Contemporary vocal articulation and stylistic diction
- Coordinate movement and singing simultaneously (with choreography option)