Turn the Beat Around Cover Image

Turn the Beat Around: Choral SoundPax

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Turn the Beat Around Cover Image

Turn the Beat Around: Choral SoundPax

Words and music by Peter Jackson, Jr. and Gerald Jackson / arr. Alan Billingsley

Item: 00-28837

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Description
This spicy arrangement is true to the Miami Beach style of Gloria Estefan. It's hot, hot, hot! "Turn the beat around, love to hear percussion." Featured on the "Hooray for Hollywood!" movement DVD #28868. Includes parts for flute, tenor sax., baritone sax., 2 trumpet, trombone, synth., percussion, rhythm.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Turn the Beat Around: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 40
UPC: 038081313818
SKU: 00-28837
Instrumentation: SoundPax

More about this title

Why we love this

Alan Billingsley's arrangement captures the infectious energy of the original without diluting its Latin groove. The instrumentation (flute, saxes, trumpets, trombone, synth, and percussion) sits perfectly within a choir's reach, and the movement component makes this a natural fit for concert programming that demands visual interest alongside solid musicianship.

What to expect

Pure Miami Beach heat. Bright, propulsive, and impossible to sit still for, this arrangement brings Latin percussion textures and synth-driven grooves into a choral setting that feels modern and celebratory. The rhythm is relentless and joyful; students feel the propulsion immediately.

Who it's for

Choirs seeking accessible, high-energy contemporary repertoire that engages audiences and builds confidence in younger singers. Directors who want movement and staging built into the arrangement benefit from the included choreography notes and can program this for concert contexts that value visual-musical storytelling.

How to get the most out of it

  • Lock the rhythm section (synth and percussion) early in rehearsals to establish the groove; once that foundation holds, the choir's rhythmic confidence will lift considerably.
  • Balance the sax and trumpet lines so they cut through without overwhelming the vocal sound; these sections drive the energy without needing to dominate.
  • Work the percussion parts with intentionality. The clave rhythm and percussion colors are central to the Miami Beach style, so clarity here elevates the entire arrangement.
  • Use the recorded accompaniment to nail the feel of the original Gloria Estefan recording; let students hear the groove they're aiming for.

How to use it

This works beautifully as a closer or high-energy moment in a pop or contemporary showcase concert. It pairs well alongside other secular, rhythmically driven pieces and gives choirs a chance to perform with full instrumental color rather than a cappella. The movement component makes it an ideal selection for concert DVDs or recorded performances where visual engagement matters.

Skills your students will build

  • Singing against syncopated instrumental rhythms and maintaining independence from the band
  • Internalizing Latin percussion patterns and clave rhythm
  • Coordinate singing with staged movement and blocking
  • Blend vocal lines with bright, energetic instrumental textures
  • Balance power and precision in a high-energy groove-based arrangement

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