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Turbulence: String Orchestra Conductor Score & Parts

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Turbulence: String Orchestra Conductor Score & Parts

By William Owens

Grade: 2

Item: 98-ST6287

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Description
The brisk tempo and progressive dissonances of this aggressive work suggest an atmosphere of unyielding tension and unrest. The introduction lashes out with driving rhythms and a stalwart melodic statement. The music then calms into a somber, flowing middle section before returning to the original themes and a brazen conclusion. Spectacular!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Turbulence: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398230174
SKU: 98-ST6287

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of classroom experience into his compositional work, having spent 30 years directing bands in Texas before his 2014 retirement. A VanderCook College of Music graduate and active clinician across North America, Owens has built a catalog of over 300 works that balance musical substance with practical classroom demands.

His prolific output has earned him recognition as a Distinguished Alumnus of VanderCook and a recipient of the Texas Bandmasters Association's Meritorious Achievement Award. Major commissions from institutions including the American Bandmasters Association and Phi Beta Mu International underscore his standing in music education circles. Owens holds memberships in ASCAP, TMEA, and several professional bandmaster organizations, and his music regularly appears on contest lists and in educational curricula nationwide.

Why we love this

Owens has crafted a piece that delivers genuine drama without requiring virtuosity beyond Grade 2 reach. The architecture keeps students engaged through clear sectional contrasts, the aggressive opening, the introspective middle, and the forceful return, giving your ensemble memorable milestones to shape throughout rehearsal. Contest panels respond to this kind of purposeful writing.

What to expect

Turbulence opens with relentless forward motion and prickly harmonies that create genuine unease. The middle passage brings respite but retains an underlying melancholy, then the piece surges back to its combative energy with even greater intensity. It's restless music that keeps listeners off balance in the best way.

Who it's for

String orchestras at the intermediate level looking for contest-ready repertoire that showcases both technical control and musical maturity. Ensembles comfortable with shifting tonal centers and contemporary harmonies will find this piece both accessible and satisfying.

How to get the most out of it

  • Establish the driving rhythms of the introduction with rock-solid pulse from your basses and cellos; let them anchor everything else that follows.
  • Shape the somber middle section with long, connected phrasing rather than allowing it to settle into a funeral march. Sustain the line even when individual notes are sparse.
  • Build intensity gradually as you return to the original themes; this progression from calm back to chaos demands deliberate dynamic control from measure to measure.
  • The brazen conclusion rewards aggressive bow articulation and unified attacks across all sections. Drill the final unison moments so they land with complete conviction.

How to use it

This work lands effectively as a contest selection or as a concert centerpiece when you want to demonstrate your ensemble's range beyond Baroque and Romantic standards. Consider pairing it with a lyrical piece to highlight the contrast and the breadth of your program.

Skills your students will build

  • Sustaining long phrases across shifting harmonic landscapes
  • Maintaining rhythmic precision at brisk tempos with complex articulation patterns
  • Balance and blend when playing dissonant vertical sonorities
  • Dynamic control through multi-section form with contrasting character
  • Unified attacks and releases in unison passages

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