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Turandot (Alfano II - Revised Completion): Serious Opera, Orchestra Accompaniment, Boys Choral Score

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Turandot (Alfano II - Revised Completion): Serious Opera, Orchestra Accompaniment, Boys Choral Score

By Giacomo Puccini, ed./arr. by Franco Alfano/ Italian libretto by Giuseppe Adami and Renato Simoni

Item: 36-A930092

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Description
The story of Turandot, while originally derived from the Persian collection of stories called "The Book of One Thousand and One Days," was set in China by Puccini. It tells the tale of a cold-hearted princess (Turandot) who sets tests for her suitors, who are all put to death if they fail. An Unknown Prince (revealed at the end to be named Calaf) finally arrives and passes her tests, though Turandot still tries to escape any marriage until she is persuaded by Calaf through a test of his own and a tragic death. Regrettably, Puccini passed away (1924) from a heart attack before he could complete the opera, having finished entirely the first and second acts, and most of the third, including the extremely well-known aria by Calaf, "Nessun Dorma." Following his death, Franco Alfano was asked by Puccini's publisher and family to complete the opera, as one of his recent works resembled Turandot in its setting and heavy orchestration. Franco Alfano's first attempt (Alfano I) was rejected by Puccini's publisher and conductor Arturo Toscanini, as he took some liberties with the libretto and added a few musical passages of his own. He was then forced to write a second, more censored version (Alfano II) that followed Puccini's sketches more closely. This second version is the one that has become popular and which is made available by E.F. Kalmus, though Toscanini, in honor of the maestro Puccini, refused to complete the opera on the night of the premiere, laying down his baton where Puccini's work ended. Both the original individual percussion parts and the addition of new percussion scores have been included to suit the musicians' preferences. In addition to the complete opera, some individual scenes have also been extracted and made available by E.F. Kalmus as standalone items. Reprint edition of the children's choral score.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810062-0
ISBN13: 979-889-810-0629
UPC: 605258597175
SKU: 36-A930092
Instrumentation: Vocal soli (9 roles, SSTTTTTBarBarBB): Chorus: Piano

More about this title

About the Composer: Giacomo Puccini

Giacomo Puccini (1858-1924) stands as one of opera's most gifted melodists, with an instinct for vocal writing that made his works immediately singable yet dramatically profound. His operas, including La bohème, Tosca, and Madama Butterfly, dominated opera houses worldwide and remain central to the repertoire today. Puccini combined Italian lyrical tradition with sophisticated orchestration and psychological depth, creating characters whose humanity resonates across centuries.

Puccini's death in 1924 left Turandot incomplete, a loss felt acutely by the opera world. Franco Alfano was tasked with finishing the work based on Puccini's detailed sketches, a responsibility he undertook with reverence for the composer's vision. The Alfano II completion, which follows Puccini's musical intentions most closely, preserves the integrity of this final masterwork.

Why we love this

Turandot offers young singers an unparalleled opportunity to inhabit grand operatic drama with music of immediate, soaring beauty. The boys choral score brings accessibility to this monumental work while maintaining the orchestral richness and vocal challenge that makes Puccini essential repertoire. Programming this allows singers to experience "Nessun Dorma" and the emotional arc of the complete opera, not as concert pieces but as integral parts of a narrative that demands full artistic engagement.

What to expect

Turandot sweeps between moments of frozen, crystalline beauty (the princess's icy domain) and overwhelming human passion (Calaf's devotion, his ultimate triumph). The music luxuriates in melody, from the instantly recognizable "Nessun Dorma" to the sweeping choruses that place individual singers within a vast, dramatic landscape. Singing this work feels like stepping into a world of myth and emotion rendered with unflinching humanity.

Who it's for

This score serves experienced choral programs ready for serious operatic repertoire, and it is particularly valuable for boys choral ensembles seeking substantial, vocally rewarding material. Directors working with singers who have previous opera experience or strong sightreading skills will find this accessible; the piano reduction allows flexible rehearsal options while the full orchestral context appears in the accompaniment score.

How to get the most out of it

  • Anchor the emotional trajectory in Calaf's character arc; his vocal journey from stranger to ardent suitor to victor shapes how the entire ensemble understands their roles and relationships.
  • Study the orchestral accompaniment even when boys' voices carry the main choral lines. Puccini's instrumental writing is never mere background; it reveals subtext and emotional currents that inform choral phrasing and dynamic choices.
  • Balance the vocal soli (nine roles spanning soprano through bass) with clarity and separation; the ensemble must support soloists without overwhelming them, particularly during the climactic final scenes.
  • Invest rehearsal time in the libretto and plot, since understanding why each character sings when they do transforms mechanical singing into storytelling. The princess's journey is as complex as Calaf's, and the chorus witnesses transformation.

How to use it

Consider presenting excerpts from Turandot as the centerpiece of an opera gala or concert that showcases your ensemble's vocal maturity and dramatic range. If programming the complete opera is beyond your resources, use this choral score to explore acts and scenes that feature the chorus prominently, building toward a full performance in a later season. This work also serves as an invaluable teaching score for young singers studying operatic literature; even partial performances deepen their understanding of vocal tradition.

Skills your students will build

  • Singing sustained lyrical lines with Italian diction and emotional authenticity
  • Balancing individual vocal color as soloists within ensemble textures
  • Following complex stage action and dramatic timing while maintaining vocal integrity
  • Interpreting Puccinian melodic style and the specific expressive demands of late-Romantic opera
  • Collaborating with multiple soloists and understanding choral roles within opera's dramatic architecture

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