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Turandot (Alfano II - Revised Completion): Serious Opera, Keyboard Accompaniment, Vocal Score

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Turandot (Alfano II - Revised Completion) Cover Image

Turandot (Alfano II - Revised Completion): Serious Opera, Keyboard Accompaniment, Vocal Score

By Giacomo Puccini, ed./arr. Franco Alfano/ Piano reduction by Guido Zuccoli. Italian libretto by Giuseppe Adami and Renato Simoni. English translation by Rosette Helen Elkin.

Item: 36-A930091

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Description
The story of Turandot, while originally derived from the Persian collection of stories called "The Book of One Thousand and One Days," was set in China by Puccini. It tells the tale of a cold-hearted princess (Turandot) who sets tests for her suitors, who are all put to death if they fail. An Unknown Prince (revealed at the end to be named Calaf) finally arrives and passes her tests, though Turandot still tries to escape any marriage until she is persuaded by Calaf through a test of his own and a tragic death. Regrettably, Puccini passed away (1924) from a heart attack before he could complete the opera, having finished entirely the first and second acts, and most of the third, including the extremely well-known aria by Calaf, "Nessun Dorma." Following his death, Franco Alfano was asked by Puccini's publisher and family to complete the opera, as one of his recent works resembled Turandot in its setting and heavy orchestration. Franco Alfano's first attempt (Alfano I) was rejected by Puccini's publisher and conductor Arturo Toscanini, as he took some liberties with the libretto and added a few musical passages of his own. He was then forced to write a second, more censored version (Alfano II) that followed Puccini's sketches more closely. This second version is the one that has become popular and which is made available by E.F. Kalmus, though Toscanini, in honor of the maestro Puccini, refused to complete the opera on the night of the premiere, laying down his baton where Puccini's work ended. Both the original individual percussion parts and the addition of new percussion scores have been included to suit the musicians' preferences. In addition to the complete opera, some individual scenes have also been extracted and made available by E.F. Kalmus as standalone items. Reprint edition of the vocal score.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-898100-58-2
ISBN13: 979-8-898100-58-2
UPC: 605258555854
SKU: 36-A930091
Instrumentation: Vocal soli (9 roles, SSTTTTTBarBarBB): Chorus: Piano

More about this title

About the Composer: Giacomo Puccini

Giacomo Puccini (1858, 1924) was an Italian composer who transformed opera into a vehicle for intimate human emotion. His gift lay in writing melodies that lodge instantly in the listener's mind while remaining sophisticated in harmony and orchestration. Puccini completed ten operas across his career, including La Bohème and Tosca, and died while composing Turandot, leaving the final scene unfinished.

Why we love this

Turandot offers a complete, performable version of one of opera's grandest finales without requiring a full orchestra. Franco Alfano's Alfano II completion honors Puccini's musical language and sketches closely, making this vocal score the standard for educational and smaller-venue productions. The role of Calaf contains some of opera's most recognizable music, and this format lets singers and pianists explore the full dramatic arc without the logistical demands of a pit orchestra.

What to expect

Turandot is grand and merciless by turns. Puccini's music captures both the ice in the Princess's heart and the desperate tenderness of the Unknown Prince; his melodies soar over lush harmonic textures that shift between orientalism and European romanticism. Alfano's completion respects this world, maintaining the opera's scale and emotional logic through to its tragic, redemptive close.

Who it's for

This score serves opera programs at the college and advanced high school level, as well as professional opera companies working with smaller budgets or unusual venues. It works equally well for singers studying the role of Calaf, the Princess Turandot, or any of the supporting characters who need to understand how their part functions within the whole opera.

How to get the most out of it

  • Spend rehearsal time on the transition into Alfano's completion at the start of Act III. Singers need to feel that the musical language remains consistent even as a different hand took the baton.
  • Balance the vocal soloists carefully in ensemble sections; Puccini wrote for nine distinct roles, and clarity matters in moments where multiple characters sing simultaneously.
  • Let the piano part breathe in the lyrical passages. Alfano's orchestration translates well to keyboard, but resist the urge to fill every silence; the accompaniment should support, not dominate.
  • Shape 'Nessun Dorma' as the emotional summit it is. This aria sits near the opera's center and deserves singers who can sustain its long lines with legit support and expressive freedom.

How to use it

Program Turandot as a spring semester capstone project for an opera workshop or as the centerpiece of a full opera production season. The vocal score format makes it accessible for concert-style performances or semi-staged readings in black box theaters. Consider pairing rehearsals with study of Puccini's orchestral conception; the piano part often mirrors the orchestral layout, offering insights into how he builds texture and color.

Skills your students will build

  • Singing sustained legit lines over twenty to thirty measures without a break
  • Reading and executing rapid-fire recitative with natural diction while maintaining musical shape
  • Balancing solo and ensemble singing in moments where nine characters share the stage
  • Understanding the emotional trajectory of a full three-act drama and how musical choices support character arc
  • Accompanying singers as a collaborative partner, translating orchestral textures to the keyboard

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