Trumpet Voluntary Cover Image

Trumpet Voluntary: Conductor Score & Parts

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Trumpet Voluntary Cover Image

Trumpet Voluntary: Conductor Score & Parts

By Jeremiah Clarke / arr. Percy Hall

Item: 36-20723444

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 654690564016
SKU: 36-20723444
Instrumentation: Viola Quartet

More about this title

About the Composer: Jeremiah Clarke

Jeremiah Clarke (1674-1707) was an English composer and organist whose career flourished during the reign of Queen Anne. He served as organist at St. Paul's Cathedral in London and composed sacred music, secular vocal works, and instrumental pieces that exemplified the English Baroque style. Though his life was tragically brief, his compositions remained popular in England and continue to appear in educational and performance settings.

Clarke's instrumental works are distinguished by their melodic clarity and balanced harmonic language. The Trumpet Voluntary, originally written for trumpet and organ, has become one of his most enduring works, adapted across centuries for various instrumental combinations.

Why we love this

This arrangement opens the Trumpet Voluntary to viola quartets without sacrificing the piece's architectural clarity or its ceremonial character. Percy Hall's scoring distributes the fanfare-like material across four violas in ways that reward careful attention to balance and intonation, making it both musically satisfying and pedagogically valuable for ensemble development.

What to expect

The opening unfolds with ceremonial grandeur, its fanfare-like phrases evoking courtly occasions and formal processions. Sustained passages allow the violas' warm sonority to emerge, creating moments of repose before the music returns to its stately, confident character.

Who it's for

Intermediate to advanced viola ensembles seeking repertoire that combines historical significance with practical scoring for four players. Directors programming recitals, chamber concerts, or multi-ensemble showcases will find this a dignified, accessible entry point into Baroque instrumental literature.

How to get the most out of it

  • Shape the opening fanfare gesture with clear articulation and strategic dynamic peaks so the statement lands with formal dignity rather than sounding tentative.
  • Adjust intonation in sustained harmonic passages by listening for resonance in the viola's warmest register; these moments demand pitch precision to project the piece's stately character.
  • Balance the first viola's melody against supporting voices by having inner voices play slightly lighter tone without losing contact with the pulse.

How to use it

Program this as a standalone prelude to a concert or as the opening movement in a mixed chamber concert grouping contemporary viola chamber works alongside it. Its formal character also makes it suitable for academic events, receptions, or as an interlude between larger ensemble pieces.

Skills your students will build

  • Balancing independent melodic lines within a four-part texture
  • Sustaining warm, resonant tone across the viola's full range
  • Executing stylistically appropriate articulation in Baroque idiom
  • Ensemble intonation in extended harmonic passages
  • Shaping long-line phrasing without losing rhythmic cohesion

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