Trumpet Voluntary Cover Image

Trumpet Voluntary: Conductor Score & Parts

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Trumpet Voluntary Cover Image

Trumpet Voluntary: Conductor Score & Parts

By Jeremiah Clarke / arr. Percy Hall

Item: 36-20713431

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891431-0
ISBN13: 978-1-57-891431-9
UPC: 654690561985
SKU: 36-20713431
Instrumentation: Violin 1, 2, 3 (opt. Viola 1) and 4 (opt. Viola 2)

More about this title

About the Composer: Jeremiah Clarke

Jeremiah Clarke (1674-1707) was an English Baroque composer and organist whose career flourished during the reign of Queen Anne. Though his life was tragically brief, he produced a significant body of keyboard and instrumental music that exemplifies the English Baroque style. His works remain central to the teaching and performance repertoire, prized for their melodic clarity and structural elegance.

Why we love this

This arrangement opens the Trumpet Voluntary to string players without requiring brass, making it accessible for string quartets and ensembles that want to claim this Baroque staple. The optional viola parts provide flexibility for different ensemble sizes, and Percy Hall's arrangement respects Clarke's original voice-leading while adapting idiomatically for strings.

What to expect

Stately and ceremonial, yet infused with an infectious energy that seems to bubble beneath the surface. The piece moves between moments of lyrical sweetness and spirited passage work, creating a sense of pageantry and celebration that feels both intimate and grand.

Who it's for

String quartets and small string ensembles seeking substantial Baroque repertoire that balances technical interest with accessibility. Intermediate to advanced string players will find rewarding challenges in intonation, ensemble balance, and stylistic execution without excessive technical demands.

How to get the most out of it

  • Establish a steady, unhurried tempo that allows the ornamentation to breathe; rushing the running passages obscures the Baroque phrasing.
  • Balance the first and second violins carefully during dialogue sections, keeping both lines equally present without the first violin dominating.
  • Shape each phrase with subtle dynamic contours rather than sudden attacks; Baroque string music thrives on graduated dynamic shaping.
  • Coordinate the ensemble on the repeated section; decide whether repeats will be literal or slightly varied to maintain freshness across the performance.

How to use it

Pair this with other Baroque string works to create a coherent historical concert set, or program it as an opening number to establish elegance and craft. It also serves as an excellent teaching tool during a unit on Baroque forms and stylistic conventions.

Skills your students will build

  • Baroque ornamentation and articulation conventions
  • Voice independence and balance in ensemble writing
  • Intonation control in fast-moving passage work
  • Stylistic phrasing and dynamic shaping appropriate to the period
  • Reading from conductor score while maintaining individual part awareness

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