Trumpet Concerto in E-flat Major Cover Image

Trumpet Concerto in E-flat Major: Concert Band Comb Bound Conductor Score & Parts

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Trumpet Concerto in E-flat Major Cover Image

Trumpet Concerto in E-flat Major: Concert Band Comb Bound Conductor Score & Parts

By Franz Joseph Haydn / transcr. for wind ensemble by Robert W. Rumbelow

Grade: 5.5 (Medium Advanced to Difficult)

Item: 00-DH9901

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Description
Haydn's "most perfect concerto," originally written for soloist and orchestra, was conceived to display the capabilities of the then newly invented valve trumpet. This Robert Rumbelow setting for soloist and Baroque era wind ensemble was premiered on the 1996 Japan Tour by the Eastman Wind Ensemble, Donald Hunsberger, conducting and Barbara Butler or Charles Geyer, trumpet soloist. The comb binding creates a lay-flat book that is perfect for study and performance.

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Additional Details
Series: Donald Hunsberger Wind Library
Publisher: Alfred Music
Page Count: 312
ISBN10: 0-7692-8615-1
ISBN13: 978-0-7692-8615-0
UPC: 029156994315
SKU: 00-DH9901

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the Classical symphony and concerto as we know them. His prolific output across all genres established formal structures and harmonic language that composers continue to study and build upon. The Trumpet Concerto in E-flat Major stands as one of his most enduring solo works, written to showcase the newly developed valve trumpet and its expanded range and agility.

Haydn's career spanned decades of court service, international travel, and constant innovation. His ability to write music that is both intellectually rigorous and immediately engaging made him a model for music education. Teachers value his works for their clarity of form, elegant orchestration, and the way they balance technical display with genuine musical substance.

Why we love this

Rumbelow's instrumentation for Baroque-era winds gives this concerto fresh color without losing Haydn's architectural clarity, making it ideal for ensembles seeking repertoire that challenges without overwhelming. The published score comes from a premiere performance by one of America's finest wind ensembles, so you're building from a tradition of excellence. At Grade 5.5, it sits at that sweet spot where advanced students experience a genuine masterwork that demands musicality and technical control.

What to expect

Elegant and spirited, with the trumpet dancing above clear harmonic progressions that feel both orderly and alive. The music captures Classical-era optimism, full of clean passagework, lyrical singing lines, and moments where the ensemble becomes a frame for the soloist's virtuosity. There's a refined beauty here, not bombastic or overly virtuosic for its own sake.

Who it's for

Advanced high school and college concert bands whose trumpet soloist can command the technical and musical demands of a Classical concerto. This work also suits festival and contest programming for ensembles ready to present a substantial, historically important piece.

How to get the most out of it

  • Balance the trumpet soloist's passage work against ensemble textures by having the band shape their dynamics around the solo line rather than playing at a fixed dynamic level; this creates the illusion of a true partnership and prevents the soloist from having to force volume.
  • Establish a clear harmonic foundation in the low brass and woodwinds during ritornello sections, as Haydn's Classical voice leading depends on secure harmonic groundwork to let the trumpet line soar.
  • Shape phrase endings carefully in the solo cadenzas; resist the urge to rush or add unnecessary rubato, letting Haydn's own phrasing architecture guide tempo and breathing.
  • Rehearse the ensemble parts separately from the soloist first to ensure rhythmic unity and accurate inner voice entries, then integrate the trumpet line once the band is secure.

How to use it

Program this as a centerpiece for a concert celebrating Classical masterworks, pairing it with other single-movement or multi-movement pieces from the era to show the breadth of Haydn's influence. It also serves well in a concerto-focused concert where you highlight student soloists, or as a strong festival selection for groups seeking recognizable, substantial repertoire at the advanced level.

Skills your students will build

  • Balancing solo and ensemble textures in Classical form
  • Executing Classical ornaments and articulation within the ensemble context
  • Maintaining rhythmic precision through passage work with frequent sixteenth-note figures
  • Shaping Haydn-era phrasing that respects harmonic function and cadence structure
  • Coordinating with a featured soloist while maintaining ensemble cohesion

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