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Trumpet Concerto: Brass Quintet Score & Parts

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Trumpet Concerto: Brass Quintet Score & Parts

Trumpet Feature

By Georg Philipp Telemann / arr. David Marlatt

Level: Difficult

Item: 81-BQ963

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Description
One of the best known pieces for solo trumpet is now available for quintet! The solo trumpet line is mixed throughout the 2 trumpets and the horn. Both the trombone and tuba are active with running scaler passages and the horn is given the solo in the second movement. The original 4 movement work scored for solo trumpet, 2 violins and continuo in D major has been transposed into B-flat concert for ease of performance.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-081-3
ISBN13: 978-1-55473-081-0
UPC: 685462003396
SKU: 81-BQ963
Instrumentation: Brass Quintet

More about this title

About the Composer: Georg Philipp Telemann

Georg Philipp Telemann (1681-1767) was one of the most prolific composers of the Baroque era, writing over 3,000 works across every genre. His output rivaled Bach's in sheer volume, yet his music remained remarkably clear, elegant, and deeply playable. Telemann held major positions throughout Germany, including Frankfurt and Hamburg, and his practical approach to composition made him a favorite among amateur and professional musicians alike.

For brass players, Telemann's instrumental writing demonstrates his gift for idiomatic composition. His trumpet works in particular showcase the instrument's lyrical and virtuosic capabilities without demanding the extreme registers or extended techniques that can make Baroque trumpet repertoire inaccessible. This concerto exemplifies why his works remain central to both historical performance and contemporary ensemble music.

Why we love this

Marlatt's arrangement preserves the melodic elegance and structural clarity that made this concerto a standard in the trumpet repertoire while distributing the solo material across your brass section. The scaler passages for trombone and tuba keep the lower voices engaged rather than relegated to harmonic padding, and giving the horn a featured moment in the second movement creates natural ensemble balance across the full quintet.

What to expect

The work moves between elegant lyricism and brightly articulated scalar writing, with a lyrical horn solo providing a gentle contrast in the second movement. There's a sense of formal clarity throughout, characteristic of Telemann's approach, that allows the quintet to shine without getting tangled in dense counterpoint.

Who it's for

This arrangement works for brass quintets ready to tackle substantial Baroque repertoire with real technical demands and historical substance. If your section has solid intonation and can balance solo passages within an ensemble texture, this concerto belongs in your rotation.

How to get the most out of it

  • Shape the solo trumpet passages in the first and third movements with clear phrasing anchored to the harmonic cadences, even though you're sharing the line across two trumpets. Coordinate with your horn player on transitions.
  • The trombone's scalar passages in outer movements need rhythmic precision and consistent articulation to avoid clouding the texture. Isolate these runs in sectional rehearsal with the tuba to lock in the counterpoint.
  • Balance the horn solo in the second movement by letting your trumpet players lighten their dynamic approach while maintaining support for the melodic line.
  • Use the continuo-like harmonic foundation in the middle voices to keep the ensemble grounded. The written parts suggest where harmonic weight belongs, so honor those moment-to-moment shifts rather than playing at a flat dynamic.

How to use it

Program this alongside other Baroque arrangements or period-aware contemporary works to highlight your ensemble's command of historical style. It also serves as an excellent festival or competition selection, offering judges the chance to hear how well your quintet balances transparency with virtuosity.

Skills your students will build

  • Baroque articulation and phrasing in a multi-movement work
  • Solo-tutti balance when melodic material is shared across multiple instruments
  • Rapid scalar passage work with rhythmic precision in trombone and tuba parts
  • Intonation coordination in triadic harmonic structures
  • Second movement horn playing with lyrical control and appropriate dynamic shaping

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