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Trolls: Flexible String Ensemble Score

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Trolls: Flexible String Ensemble Score

By Todd Stalter

Grade: 1.5

Item: 00-51726S

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Description
This title features Alfred Music's String Orchestra FLEX options. That means that every part in this set is now transposed into every other part, so you can play this title with any combination of like- or mixed-string ensemble. After purchasing this set, decide what additional parts you need to meet the unique needs of your ensemble, then download and print them for free at alfred.com/supplemental---free of charge.

In Norse mythology, trolls were creatures that lived in the forests, mountains, or caves, away from human settlements. They were seen as antagonistic towards humans, brutish-looking, and were to be avoided. Various folk legends claimed they were as big as giants or as small as gnomes and had shapeshifting abilities. No doubt, many curious people must have ventured out to see a troll for themselves. Trolls, by Todd Stalter, vividly explores sneaking around in dark and unfamiliar places, a sense of confident adventure, and---quite possibly---the surprise of spotting a troll! This will come together very well in rehearsal and with its unique sound, will intrigue your students. (2:00)

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Additional Details
Series: Belwin Beginning String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-7623-0
ISBN13: 978-1-4706-7623-0
UPC: 038081598512
SKU: 00-51726S

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter spent 34 years as Director of Bands at Eureka High School in Illinois, building a program recognized statewide for consistent musical achievement. His marching band won 16 Class 1A state championships, his concert band earned superior ratings at IHSA contests, and his ensembles performed at Orchestra Hall in Chicago and Walt Disney World. He was inducted into the Illinois State Marching Band Championships Hall of Fame and has conducted All-State Bands in Georgia and Delaware alongside numerous regional honor bands.

Stockton's work as a composer and clinician has earned international reach. His band and string orchestra compositions appear on state contest and festival lists across the United States and are featured in the GIA publication "Teaching Music Through Performance in Band." He holds degrees from Illinois State University in music education and trumpet performance, where he studied with faculty including Dr. Stephen K. Steele.

Why we love this

Stalter's programmatic storytelling makes this piece immediately engaging for young players without asking for dramatic overplaying. The FLEX instrumentation is a genuine time saver for directors managing mixed-ability string sections, and the free supplemental parts mean you can customize the score to match exactly who walks into rehearsal on any given day.

What to expect

Dark, curious, and full of movement through unfamiliar terrain. The music evokes sneaking through shadows with a thread of confident adventure running underneath, building toward a moment of genuine surprise when the troll is finally spotted.

Who it's for

String orchestras at the early intermediate level, particularly ensembles with mixed instrumentation or students still developing consistency across parts. The FLEX format makes it accessible whether you field full sections or have gaps you need to cover creatively.

How to get the most out of it

  • Establish the sense of exploration in the opening by keeping the tempo steady and the dynamic control precise; young players often rush when portraying adventure, so anchor them with a clear beat.
  • Balance the independent string parts during the mysterious passages by having students listen across sections rather than locking only to their stand partner.
  • Shape the moment of discovery (likely the peak of the narrative arc) by bringing out the primary melody line while keeping accompaniment figures transparent.
  • Use the two-minute length as an advantage in rehearsal: record full run-throughs frequently so students hear the arc they're building and stay invested in the storytelling.

How to use it

Program this alongside lighter character pieces or folk-inspired works at a concert where younger orchestras need a narrative hook to hold an audience's attention. Its two-minute length also makes it a strong festival or contest selection for ensembles still building stamina and consistency.

Skills your students will build

  • Balancing independent melodic lines across string sections
  • Interpreting dynamic shapes that support programmatic storytelling
  • Maintaining steady tempo during passages that suggest movement and exploration
  • Listening to ensemble texture rather than relying solely on section-specific cues

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