Trittico Fantasy (Fantasia on Themes from Puccini's ''Il trittico'') Cover Image

Trittico Fantasy (Fantasia on Themes from Puccini's ''Il trittico''): Piano (Solo)

$39.95 USD
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Trittico Fantasy (Fantasia on Themes from Puccini's ''Il trittico'') Cover Image

Trittico Fantasy (Fantasia on Themes from Puccini's ''Il trittico''): Piano (Solo)

By Yvar Emilian Mikhashoff

Item: 98-EP67952

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 32
ISBN10: 0-30-074846-9
ISBN13: 979-0-3007-4846-7
SKU: 98-EP67952

More about this title

About the Composer: Yvar Emilian Mikhashoff

Yvar Emilian Mikhashoff (1941-2023) was an American pianist and composer known for his virtuosic transcriptions and fantasies on operatic material. His career spanned decades as both a concert performer and recording artist, bringing technical brilliance and imaginative arrangement to works ranging from Baroque keyboard music to contemporary compositions. Mikhashoff's transcriptions are prized for their fidelity to the original melodies while showcasing the full expressive and technical range of the piano.

Why we love this

Mikhashoff captures the melodic richness of Puccini's three connected operas in a single, coherent fantasy that flows naturally from one theme to the next. Rather than a string of recognizable excerpts, this work weaves Trittico's material into a pianistic narrative that rewards both the performer's technique and the listener's familiarity with the source material. Advanced pianists find the work both musically satisfying and concert-worthy.

What to expect

The work captures Puccini's gift for memorable, soaring melody while placing the pianist at the center of the musical drama. You move through the emotional landscapes of three different operas, navigating moments of intimate lyricism and passages that demand technical brilliance, all within a unified fantasy structure.

Who it's for

This is a recital piece for advanced pianists seeking substantial concert repertoire grounded in familiar melodic material. Pianists who enjoy operatic transcriptions and possess strong command of both lyrical and virtuosic writing will find this fantasy engaging and performable.

How to get the most out of it

  • Study the opera score or recordings of Il trittico beforehand to internalize how Puccini shaped these melodies; knowing their dramatic context will inform your phrasing and rubato.
  • Balance virtuosic passages with the lyrical material so that technical display serves the music rather than overshadowing it.
  • Pay close attention to Mikhashoff's dynamic markings and articulation; his transcription relies on precise execution to convey the operatic storytelling.

How to use it

Feature this on a recital alongside other transcriptions or as a substantial solo work in a program that celebrates operatic music. Its length and substance make it suitable as a major item on a professional or advanced student recital.

Skills your students will build

  • Balancing melody and accompaniment across multiple registers
  • Pedal control and voice independence in dense harmonic textures
  • Executing ornamental passages and runs with clarity and control
  • Shaping operatic phrases idiomatically on the keyboard
  • Navigating extended passages requiring sustained virtuosity without fatigue

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