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Triple Treat: Conductor Score & Parts

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Triple Treat Cover Image

Triple Treat: Conductor Score & Parts

By Percy Hall

Grade: 2

Item: 36-20442187

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Description
This exciting trio was originally composed for trumpet trio, and is also published for flute trio and saxophone trio and also as a clarinet trio. It has been frequently performed in Ohio Ensemble Contests. Starting with a brief legato introduction, the character changes quickly to a light, bouncy melody that provides a rewarding challenge to developing performers. The key is C for the clarinets, and the fast slurred passages fit right under the fingers making the end result sound much more difficult than it is.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891187-7
ISBN13: 978-1-57-891187-5
UPC: 660355161391
SKU: 36-20442187
Instrumentation: Clarinet Trio

More about this title

Why we love this

Hall writes for young players with real musical intuition. The piece sounds polished and substantial within reach of Grade 2 clarinetists, and its popularity in Ohio contests speaks to how well it engages both performers and adjudicators. The technical writing respects the instrument while rewarding careful practice.

What to expect

The piece opens with quiet elegance, then shifts gears into something playful and energetic. The fast slurred passages flow naturally under the fingers, creating a sense of ease and joy even when the technical demands increase.

Who it's for

Grade 2 clarinet trios preparing for festival or contest performances, or ensembles looking for accessible chamber repertoire that builds confidence. The published versions for trumpet, flute, and saxophone mean you can program this as a showcase of same-repertoire performance across instruments.

How to get the most out of it

  • Shape the legato introduction with a gentle swell and release; this brief passage sets the piece's lyrical opening before the character shift, so give it space to breathe.
  • Keep the bouncy melody light and rhythmically precise. The character change from intro to main theme should feel like a clear conversation, not a jolt.
  • Approach the fast slurred passages with clean articulation at the entry points and smooth legato through the runs. Mark your breathing points in advance so the line doesn't gasp.
  • Balance the three parts carefully during tutti passages so no one voice dominates. Listen for blend across the range of the trio.

How to use it

Program this in a chamber or recital concert where young players can showcase their developing ensemble skills. Its proven track record in contest settings makes it an excellent choice for groups preparing competition repertoire, and the variety of published versions means you can feature multiple trio combinations on the same concert.

Skills your students will build

  • Legato playing and phrasing across phrase boundaries
  • Fast slurred passages with clean articulation
  • Part independence and balance within a trio texture
  • Character contrast and tempo flexibility within a single piece
  • Reading in C major and navigating moderate technical passages

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