Trios for Developing Brass Players, Volume 1 Cover Image

Trios for Developing Brass Players, Volume 1: Brass Trio Score & Parts

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Trios for Developing Brass Players, Volume 1 Cover Image

Trios for Developing Brass Players, Volume 1: Brass Trio Score & Parts

Arr. Tom Wade-West

Level: Easy

Item: 81-BT982

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Description
Tom Wade West has collected 4 pieces and arranged them for the beginning brass trio. Good idiomatic writing for young brass players is difficult to find and when it is available, it is usually for brass quintet. Provided in this collection is I Greet You, Lift Thine Eyes, the Hornpipe from Water Music, and Non Nobis Domine. This is another excellent set of arrangements for brass.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-074-0
ISBN13: 978-1-55473-074-2
UPC: 685462003914
SKU: 81-BT982

More about this title

About the Arranger: Tom Wade-West

Tom Wade-West has built a reputation for understanding what young brass players actually need. His arrangements prioritize idiomatic writing that sits comfortably on each instrument while maintaining musical integrity, a balance that many arrangers struggle to achieve.

Why we love this

Finding brass trio music that sounds genuinely musical rather than didactic is rare. Wade-West's selection here spans sacred, Baroque, and secular traditions, giving you real repertoire that students actually want to play while building fundamental skills.

What to expect

A tour through different musical worlds. You move from the reverent beauty of hymn textures, through Baroque ornament and dance rhythms, then into the satisfaction of blending voices in sacred polyphony. Each piece breathes differently.

Who it's for

Beginning brass students ready for ensemble work beyond unison or simple harmony parts. This collection works for students aged 10-14 or anyone in their first two years of ensemble playing, regardless of age.

How to get the most out of it

  • Assign the four pieces across rehearsals rather than learning them back-to-back. Each demands slightly different interpretive choices, so spacing them prevents blur between arrangements.
  • Pay attention to the idiomatic voice leading Wade-West has written for each part. Young brass players often muscle through parts without recognizing how thoughtful arrangers guide them toward natural phrasing.
  • The Water Music Hornpipe will benefit from articulation clarity; lock that rhythmic feel early so energy doesn't sag during repeated figures.

How to use it

These four pieces are ideal for a spring concert program where you want to show growth without overwhelming young players. They also work well as festival selections since they're compact enough to prepare thoroughly and substantial enough to represent your ensemble seriously.

Skills your students will build

  • Balancing individual line integrity within a small ensemble texture
  • Reading and performing baroque articulation and phrasing conventions
  • Intonation matching across brass timbres (trumpet, horn, trombone combinations)
  • Breathing independence in sustained harmonic parts
  • Interpreting multiple musical periods and styles with stylistic awareness

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