Trios for All Occasions, Volume 2 Cover Image

Trios for All Occasions, Volume 2: 3 Alto Saxophones Score & Parts

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Trios for All Occasions, Volume 2 Cover Image

Trios for All Occasions, Volume 2: 3 Alto Saxophones Score & Parts

Arr. David Marlatt

Level: Medium

Item: 81-SQ1685

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Description
Trios for All Occasions---Vol. 2 is a collection of compositions and arrangements of well-loved music set for three like-instruments (or can be used with others in the series to accommodate performance with any combination of instruments). The arrangements are suitable for a variety of performance situations such as school concerts, at church, or on gigs in the community. Titles include: Concord Fanfare * Vive le Canadienne * Overture from Water Music * Off on the Hunt * Home on the Range * Deck the Halls * O Come, O Come Emmanuel * J'entends le Moulin * Rag-time Dance * De Colores * The Celebration of Spring * 2+2+3.

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Sample Pages

Sample Audio
1 2+2+3 --:--
2 Concord Fanfare --:--
3 De Colores --:--
4 Deck the Halls --:--
5 Home on the Range --:--
6 J entends e Moulin --:--
7 O Come O Come-Emmanuel --:--
8 Off on the Hunt --:--
9 Overture from Water Music --:--
10 Rag time-Dance --:--
11 The Celebration of Spring --:--
12 Vive le Canadienne --:--

2+2+3

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-340-6
ISBN13: 978-1-77157-340-5
UPC: 685462023417
SKU: 81-SQ1685
Instrumentation: 3 Alto Saxophones

More about this title

Why we love this

Marlatt understood what makes a trio collection actually useful: variety in style, mood, and source material. You get fanfares alongside folk songs, sacred music alongside ragtime, which means one book genuinely covers multiple programming needs. The writing sits comfortably in the alto sax range without sacrificing musical interest, so players stay engaged while the arrangements remain accessible.

What to expect

Moving fluidly between ceremonial opening moments and spirited folk traditions. There's a genuine lightness here, especially in pieces like Vive le Canadienne and The Celebration of Spring, balanced by the structural clarity of the Handel and Purcell arrangements. This collection feels confident without pretense.

Who it's for

Alto sax trios at the intermediate level who need a genuine performance collection, not just exercises. This works equally well for school ensembles seeking flexibility in instrumentation, community groups building a repertoire, or festival preppers looking for variety on a single program.

How to get the most out of it

  • Balance the three voices carefully during the fanfare movements; use dynamics as your guide, but ensure the alto sax voicing doesn't collapse into one undifferentiated blend.
  • Let the folk arrangements breathe. Songs like Home on the Range and De Colores need space between phrases; resist rushing through these.
  • The rhythmic pieces (Rag-time Dance and 2+2+3) require precise ensemble entrances and releases. Mark exactly where each line breathes in rehearsal.
  • Record yourselves playing through the full suite. Hearing the arc of the collection back-to-back helps you shape the overall performance, not just individual pieces.

How to use it

String several pieces together from this collection as a mini-suite within a larger concert, or use individual selections as entre-acte music between larger ensemble numbers. The breadth of styles makes it smart programming for community gigs where you're unsure of audience taste. Include one or two sacred titles if you're performing in a church setting, or lean on the folk and ragtime selections for a school assembly.

Skills your students will build

  • Balancing three equal voices in close harmony
  • Phrasing in folk and traditional arrangements
  • Rhythmic precision in syncopated passages (Rag-time Dance)
  • Flexibility across multiple style periods and tempos
  • Reading from both score and individual parts during rehearsal

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