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Trios for All Occasions: 2 Trumpets Part(s)

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Trios for All Occasions Cover Image

Trios for All Occasions: 2 Trumpets Part(s)

Volume 3

By Kevin Kaisershot

Level: Medium

Item: 81-TE19262

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Description
This is a collection of original compositions by award-winner, educator, and composer Kevin Kaisershot set for three like-instruments. The arrangements are suitable for a variety of performance situations such as school concerts, at church, or on community gigs. Titles: Bagatelle * Honor and Tribute * Galop * Siesta * Eighth Notes * Minor Burns * Ode Melancholique * Plie * Regimental * Serpent Dance * Tattered Rag * Peckle Polka

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Sample Pages

Sample Audio
1 1 Bagatelle --:--
2 10 Serpent_Dance --:--
3 11 Tattered_Rag --:--
4 12 Peckle_Polka --:--
5 2 Honor_and_Tribute --:--
6 3 Galop --:--
7 4 Siesta --:--
8 5 Eighth_Notes --:--
9 6 Minor_Burns --:--
10 7 Ode_Melancholique --:--
11 8 Plie --:--
12 9 Regimental --:--

1 Bagatelle

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-592-1
ISBN13: 978-1-77157-592-8
UPC: 685462025930
SKU: 81-TE19262

More about this title

About the Composer: Kevin Kaisershot

Kevin Kaisershot has built a career writing music that serves real classroom and performance needs. His compositions balance accessibility with musical substance, creating pieces that students enjoy learning and audiences enjoy hearing.

Why we love this

Kaisershot's collection cuts through the scarcity of accessible trio literature for brass players. Each piece stands on its own musically while remaining practical for student ensembles, meaning you're not sacrificing artistry for playability. The stylistic variety keeps rehearsals from feeling formulaic.

What to expect

The collection spans moods with impressive range: sprightly dance forms like Galop and Plie sit alongside gentler character pieces such as Siesta and Ode Melancholique. Together they read less like exercises and more like a curated program of short musical moments, each with its own personality.

Who it's for

Intermediate trumpet players working in threes are the direct audience, whether in school ensembles, private lesson groups, or community brass bands. This collection also serves directors seeking approachable yet musically legitimate repertoire for concert performances or recital situations.

How to get the most out of it

  • Balance the melodic line across the three parts. Because these are original compositions rather than transcriptions, the composer has intentionally distributed the musical interest, so each player bears responsibility for the overall shape.
  • Work dynamics as a unit rather than in isolation. The medium difficulty level depends partly on performers tracking shared expressive choices, especially in pieces like Ode Melancholique where mood hinges on restraint.
  • Establish clear articulation patterns early in rehearsal. With twelve contrasting pieces, committing to consistent tonguing styles within each movement saves time and creates polish.

How to use it

These pieces work beautifully as standalone offerings on concert programs, filling slots between larger ensemble works without requiring additional players. You might also build a full recital around them, selecting five or six contrasting pieces to showcase your trumpet section's range and versatility.

Skills your students will build

  • Balancing three independent lines while maintaining ensemble cohesion
  • Stylistic flexibility across dances, character pieces, and formal structures
  • Shaping phrases in pieces with minimal text guidance, developing interpretive independence
  • Sight-reading and adaptability across varied articulation and dynamic patterns

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