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Trios for All Occasions: 2 Clarinets Part(s)

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Trios for All Occasions Cover Image

Trios for All Occasions: 2 Clarinets Part(s)

Volume 3

By Kevin Kaisershot

Level: Medium

Item: 81-CC19119

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Description
This is a collection of original compositions by award-winner, educator, and composer Kevin Kaisershot set for three like-instruments. The arrangements are suitable for a variety of performance situations such as school concerts, at church, or on community gigs. Titles: Bagatelle * Honor and Tribute * Galop * Siesta * Eighth Notes * Minor Burns * Ode Melancholique * Plie * Regimental * Serpent Dance * Tattered Rag * Peckle Polka

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Sample Pages

Sample Audio
1 1 Bagatelle --:--
2 10 Serpent_Dance --:--
3 11 Tattered_Rag --:--
4 12 Peckle_Polka --:--
5 2 Honor_and_Tribute --:--
6 3 Galop --:--
7 4 Siesta --:--
8 5 Eighth_Notes --:--
9 6 Minor_Burns --:--
10 7 Ode_Melancholique --:--
11 8 Plie --:--
12 9 Regimental --:--

1 Bagatelle

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-581-6
ISBN13: 978-1-77157-581-2
UPC: 685462025824
SKU: 81-CC19119

More about this title

About the Composer: Kevin Kaisershot

Kevin Kaisershot brings decades of experience as both a working musician and music educator, grounded in practical knowledge of what players need and what audiences enjoy. His compositions for educational ensembles consistently balance accessibility with genuine musical substance, never talking down to student performers.

Why we love this

Kaisershot has created a collection that respects the realities of ensemble scheduling without sacrificing musical substance. Each piece stands alone, making this ideal for programs where rehearsal time is limited but you need variety and genuine compositional craft. The range of styles and moods means you'll find something appropriate whether you're filling a five-minute slot or building a themed concert set.

What to expect

These twelve pieces move fluidly between character and energy. You'll encounter the unhurried meditation of "Siesta," the driving precision of "Regimental," the playful bounce of "Peckle Polka," and the melancholic introspection of "Ode Melancholique." The collection draws from dance forms, character pieces, and original idioms that keep the ear engaged without demanding excessive technical display.

Who it's for

Clarinet duos preparing repertoire for school concerts, church services, or community performances will find immediate usability here. This collection works equally well for pairs of intermediate players seeking accessible ensemble literature or for higher-level players wanting short, focused works to season a recital program.

How to get the most out of it

  • Balance the two clarinet lines carefully in pieces where they move in parallel motion; ensure neither voice disappears into the accompaniment of the other.
  • Use the variety of tempos and characters across the twelve pieces to shape your set list; program contrasting moods in sequence rather than similar pieces back-to-back.
  • Pay attention to articulation markings as an essential part of each piece's identity, especially in the rhythmic dances and character pieces where crisp or smooth execution dramatically changes the effect.
  • In pieces with syncopation or swing elements, lock in the rhythmic feel early in rehearsal rather than assuming players will find it naturally.

How to use it

Use individual pieces as concert fillers between longer works, or select four to six contrasting selections to form a complete suite within a larger program. The variety makes this collection particularly valuable for spring concerts or informal performance opportunities where mixed genres and shifting moods feel natural rather than scattered.

Skills your students will build

  • Ensemble balance and blend in unison and harmony textures
  • Stylistic interpretation across multiple character types (dance, waltz, march, ragtime, reflective)
  • Control of articulation variety as a means of musical expression
  • Reading and performing syncopation and rhythmic independence within a duo texture

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