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Trio: Trio Parts

$22.75 USD
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Trio Cover Image

Trio: Trio Parts

For Tenor Saxophone, Bassoon, and Horn

By David Amram

Item: 98-EP6690A

$22.75
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Description
Instrumentation: Tenor Sax, Bassoon, Horn.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN13: 979-0-300-73174-2
SKU: 98-EP6690A
Instrumentation: Tenor Sax, Bassoon, Horn

More about this title

About the Composer: David Amram

David Amram is an American composer and conductor whose career spans classical composition, jazz, and world music traditions. Known for his collaborative spirit and genre-crossing work, Amram has written extensively for chamber ensembles and orchestras, often blending classical form with vernacular American musical idioms.

Why we love this

This trio pairs tenor saxophone with horn and bassoon, a combination that demands focused listening and careful balance from all three voices. The unusual instrumentation itself is rewarding, offering chamber musicians a chance to work with parts that don't rely on doubling or textural padding.

What to expect

The combination of tenor sax, horn, and bassoon creates an earthy, contemplative sound world with surprising warmth. These three voices occupy distinct registers and tonal territories, inviting interplay that feels both chamber-like in intimacy and ensemble-like in textural richness.

Who it's for

Intermediate to advanced chamber musicians seeking an unconventional trio for recitals, contemporary music festivals, or studio performance. This work suits ensembles comfortable navigating asymmetrical instrumental combinations and willing to invest rehearsal time in achieving blend.

How to get the most out of it

  • Establish clear communication about dynamic layers early in rehearsal; the mixed timbres of these three instruments will balance differently than a traditional trio, requiring intentional choices about which voice leads in each phrase.
  • Pay attention to the bassoon's role as both harmonic anchor and independent voice; resist the urge to treat it merely as a bass line.
  • Balance the tenor saxophone's natural projection against the horn's cut-through timbre and the bassoon's focused tone. A rehearsal space dry enough for good acoustics will help all three voices remain distinct.

How to use it

Feature this as a bold programming choice for a chamber recital or new music concert, where its distinctive instrumentation will stand out meaningfully. It works particularly well on a program exploring American composers or contemporary chamber writing that resists conventional scoring.

Skills your students will build

  • Balancing three independent melodic voices across different instrument families
  • Listening skills in asymmetrical instrumental combinations
  • Collaborative rehearsal strategies for unconventional chamber ensembles
  • Extended range and timbre control specific to tenor saxophone, horn, and bassoon

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