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Trio: Trio Score

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Trio: Trio Score

For Tenor Saxophone, Bassoon, and Horn

By David Amram

Item: 98-EP6690

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Description
Instrumentation: Tenor Sax, Bassoon, Horn.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-30-073161-2
ISBN13: 979-0-3007-3161-2
SKU: 98-EP6690
Instrumentation: Tenor Sax, Bassoon, Horn

More about this title

About the Composer: David Amram

David Amram is an American composer, conductor, and French hornist whose career spans classical composition, jazz, and film scoring. His work reflects a deep commitment to bridging musical genres and bringing contemporary classical music into conversation with American vernacular traditions. Amram has composed extensively for chamber ensembles, orchestras, and theatrical works, and his pieces are performed internationally by professional and student musicians.

Why we love this

This trio brings together three voices that rarely share the stage, and Amram writes for them as equal conversationalists rather than hierarchical soloists. The 20-page score offers substantial musical material without excessive length, making it rewarding to rehearse without demanding months of preparation. Programming this piece signals to your audience that you're thinking beyond standard chamber combinations.

What to expect

The piece unfolds with the exploratory character typical of mid-twentieth-century American chamber music, favoring clear counterpoint and direct expression over dense harmonies. It feels conversational, with the three instruments trading musical ideas and occasionally blending into moments of collective color.

Who it's for

Chamber ensemble directors and advanced players seeking repertoire that challenges conventional instrumentation. This work suits high school and collegiate ensembles capable of managing the range and technical demands across three distinct instruments.

How to get the most out of it

  • Balance the tenor saxophone against the horn and bassoon from the outset; the sax's natural projection can easily overshadow the other two voices, so listen critically to blend across dynamic changes.
  • Establish a clear leadership structure during rehearsal even when the three parts move with equal independence. Designate who leads phrase entrances in sections where parts are rhythmically offset.
  • Attend to intonation in the upper register of the bassoon, where it tends to flatten. Work through exposed passages slowly to lock in pitch before tempo.

How to use it

Schedule this as a standalone work on a recital or chamber concert where it can anchor a program of mixed-instrument pieces. It works especially well as a bridge between classical and contemporary repertoire, or alongside other American composers working in chamber forms.

Skills your students will build

  • balancing three different instrumental timbres in ensemble context
  • reading and executing independent countermelodies across parts
  • sustaining intonation in extended passages with asymmetrical phrasing
  • rhythmic precision when parts move at different rates

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