Train to Glory Cover Image

Train to Glory: String Orchestra, Score and Parts

$45.00 USD
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Train to Glory Cover Image

Train to Glory: String Orchestra, Score and Parts

By Gene Milford

Grade: 2

Item: 36-52250569

$45.00
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Description
Take an exciting ride on the underground railroad with these three traditional spirituals about trains: The Gospel Train's a-Comin'; Get on Board and This Train. Everyone has a chance to play the melody while getting a rhythmic workout in G major. Cellists venture into second position; upper strings stay in first. The dissonant double stops at the beginning of the medley sound like a real train whistle, and the rhythmic train-like figures between tunes keep the forward momentum going all the way! Highly recommended!

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361704-1
ISBN13: 978-1-63-361704-9
UPC: 660355046940
SKU: 36-52250569
Instrumentation: String Orchestra

More about this title

Why we love this

Milford threads three beloved spirituals into a single narrative arc without losing the identity of each tune. The orchestration ensures genuine participation across all sections, and that dissonant whistle effect at the start immediately signals to an audience that they're in for something theatrical and propulsive.

What to expect

A journey made tangible through sound. The opening dissonance rattles like metal on rails, the melodies sing with dignity and hope, and the rhythmic momentum never lets up. You feel the forward drive of the music the same way passengers feel the motion of a train.

Who it's for

String orchestras at the grade 2 level looking for a piece that combines cultural substance with crowd appeal. Directors seeking repertoire that tells a story while keeping all players engaged in the texture.

How to get the most out of it

  • Balance the double stops at the opening so they cut through without overwhelming the ensemble. A slight natural swell on each whistle call makes the effect more convincing.
  • Keep the rhythmic figures between tunes locked in with the cello section. Those train-like patterns drive the medley forward, so precision here pays dividends.
  • Bring cellists into their second position work gradually. Run dedicated sectionals on the shift into that register so they're confident before full rehearsals.

How to use it

Pair this with other spirituals or African American concert music to build a thematic program, or position it as a lighter moment that still carries weight. Its narrative clarity and driving rhythm make it an excellent closer for a winter or spring concert.

Skills your students will build

  • Cello second position technique
  • Double stops across string sections
  • Maintaining rhythmic momentum through syncopated figures
  • Melodic phrasing across sectional passes
  • Ensemble balance and blend in mixed textures

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