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Train to Glory: String Orchestra, Full Score

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Train to Glory Cover Image

Train to Glory: String Orchestra, Full Score

By Gene Milford

Grade: 2

Item: 36-52255569

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Description
Take an exciting ride on the underground railroad with these three traditional spirituals about trains: The Gospel Train's a-Comin'; Get on Board and This Train. Everyone has a chance to play the melody while getting a rhythmic workout in G major. Cellists venture into second position; upper strings stay in first. The dissonant double stops at the beginning of the medley sound like a real train whistle, and the rhythmic train-like figures between tunes keep the forward momentum going all the way! Highly recommended!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Train to Glory: String Orchestra, Full Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106874-3
ISBN13: 978-1-58-106874-0
UPC: 654690658593
SKU: 36-52255569
Instrumentation: String Orchestra

More about this title

Why we love this

This arrangement gives every player a moment with the melody while keeping the ensemble engaged through propulsive rhythmic figures that genuinely sound like a train in motion. The dissonant double stops at the opening deliver real character and drama without requiring advanced technique, making Grade 2 orchestras sound more sophisticated than the level might suggest.

What to expect

You'll hear the rattle and roll of a train gathering steam. The opening whistle cuts through with urgency, then the pulse locks in, and the three spirituals flow past the window like landscape blurring past at speed. There's triumph and forward motion in every bar, grounded in music that carries real historical weight.

Who it's for

Young string orchestras that are comfortable with basic first-position work and ready to explore early second position. Directors seeking repertoire rooted in American spirituals will value the cultural and historical grounding alongside the straightforward musicianship demands.

How to get the most out of it

  • Bring out the double stops at the beginning with deliberate bow pressure so the cluster sounds percussive and authentically train-like rather than murky.
  • Lock the rhythmic train figures between the three spirituals with your section; consistency in these transitions keeps the medley's energy from sagging.
  • Balance the melody carefully as it rotates through the orchestra; whoever carries the tune should project without drowning out the rhythmic texture underneath.
  • Work the cello second-position passage separately so it integrates smoothly with the rest of the ensemble rather than standing out as a technical hurdle.

How to use it

This medley fits naturally into a concert celebrating American roots music or social history alongside other spirituals or folk traditions. It also works as a strong closer for a young orchestra concert; the energy and accessibility make it a crowd-pleasing finale that leaves audiences energized.

Skills your students will build

  • Reading and executing rhythmic train figures in ensemble texture
  • Playing melody rotation while maintaining ensemble awareness
  • Cello second-position intonation and shifting
  • Tuning and balancing dissonant double stops
  • Sustaining forward momentum across a three-movement medley

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