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Trailblaze: String Orchestra Conductor Score

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Trailblaze: String Orchestra Conductor Score

By Rick Hirsch

Grade: 3.5

Item: 98-ST6471S

$6.00
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Description
The sweeping cinematic sounds of this energetic work will immediately grasp your audience's attention and your students will be excited to dig in and experience the fun groove of the piece! Written with a slight jazz flavor, the music is a welcome departure from standard string repertoire and is a phenomenal change of pace for your next program.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444586716
SKU: 98-ST6471S

More about this title

About the Composer: Rick Hirsch

Rick Hirsch

Rick Hirsch studied composition at UMass-Amherst and Northern Illinois University, then launched his career as a music copyist for jazz luminaries Bob Mintzer and Toshiko Akiyoshi. His compositions and arrangements have been performed by jazz legends Yusef Lateef and Eddie Henderson, the Capitol Quartet, and Penn State's celebrated Blue Band.

Hirsch has established himself as a sought-after guest conductor for All-State and District Jazz Bands across the country and taught on the music faculty at Penn State University. In 2017, his ensemble BIG OL' BAND released their debut album Pocono Git-Down, a celebration of thriving jazz communities outside major metropolitan areas.

Why we love this

Hirsch brings authentic jazz sensibility to string writing without requiring your students to suddenly become rhythm section players. The cinematic energy and groove-forward approach gives your orchestra a chance to play music that feels contemporary and stylish, not like a classical warm-up exercise. It's the kind of piece that makes string players feel genuinely cool about what they're doing.

What to expect

Trailblaze sweeps in with cinematic grandeur, immediately establishing an energetic presence in the hall. The groove underneath carries a sophisticated jazz sensibility—syncopated, playful, and full of color that keeps listeners leaning forward. There's brightness and forward momentum here, with a contemporary edge that feels both fresh and genuinely musical.

Who it's for

String orchestras at the intermediate to early advanced level who are ready to stretch beyond traditional classical and pops repertoire. Your students need solid fundamentals in intonation and rhythm, but this is accessible enough that it doesn't demand concertmaster-level soloists. Directors programming for contests, festivals, or concert series will find this a refreshing gear shift that audiences and adjudicators notice.

How to get the most out of it

  • Establish the groove in your opening rehearsals by having the orchestra tap or sing the rhythmic foundation alongside their parts. Jazz-inflected writing demands that students feel the pulse as a living thing, not just count it.
  • Highlight the jazz voicings in your sectionals. String players often expect root-position harmony; Hirsch's writing includes extended and altered chords that need clarity from within each section to balance well.
  • Draw out the cinematic dynamic shape through the piece. Mark your scores with phrase breathes and energy trajectories so the work feels like a journey, not just a showcase of technique.
  • Let the slight jazz flavor breathe. Resist the temptation to over-rehearse. Once the parts are secure, allow natural rubato and ensemble responsiveness to emerge in performance.

How to use it

Position this as a centerpiece on a mixed concert to provide tonal and stylistic contrast. Pair it with a classical standard beforehand to highlight how much the string orchestra voice can evolve, or follow it with a lyrical ballad to show range. It also works excellently as a festival showcase piece, where adjudicators respond well to arrangements that demonstrate both technical control and musical maturity.

Skills your students will build

  • Performing with swing feel and jazz articulation
  • Balancing contemporary harmonic voicings (extended and altered chords)
  • Responding to asymmetrical phrasing and groove-based rhythms
  • Listening for cinematic dynamic shaping and phrase architecture
  • Reading and executing syncopated rhythmic figures with precision

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