Tour de Trance Cover Image

Tour de Trance: Soprano Voice Sheet

$12.95 USD
$12.95 USD
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Tour de Trance Cover Image
Tour de Trance: Soprano Voice Sheet

Tour de Trance: Soprano Voice Sheet

für Sopran und Klavier

By Arnulf Herrmann

Level: Advanced

Item: 98-EP14258
$12.95
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Description
The piano and orchestral versions of Tour de Trance are two independent readings of the highly musical and multi-layered poem of the same title by Monika Rinck. Its imaginative appeal lies in the visualization of an event through the description of its most distant reflections: no one heard, everyone felt, the waves of shock. This is achieved above all through images of movement, which lend themselves particularly well to musical adaptation.

Nevertheless, poems and music remain art forms in their own right; from their own specific perspectives, they refer to a common third party, a poetic idea or a shared plot, and use different means to achieve this. While the poem, for example, is divided into two unequal halves by its punctuation, the song subdivides the two parts into two or three independent sections, each with different models of movement.

The overall formal progression of the song appears more as a development from dull, resonant static - like the foothills of distant tremors - to complex, differentiated pulsations on several levels of the piano writing, whereby the ambitus of the vocal line corresponds with the increase in inner movement in the piano. The tendency to transcend the framework provided by the piano is already inherent in this idea of tone colour. The song points beyond itself in several senses, to a larger apparatus and at the same time to its concealed background and undertones.

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Additional Details
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-01-412611-7
ISBN13: 979-0-01-412611-7
UPC: 9790014126117
SKU: 98-EP14258

More about this title

Why we love this

Herrmann's setting honors the architecture of Monika Rinck's poem while asserting music's own formal logic. The soprano line grows in ambitus and complexity alongside the piano's evolving texture, creating a unified dramatic arc that rewards careful listening from both performer and audience. Advanced singers will appreciate writing that trusts their musicianship to navigate layered pulsations and coordinate with a genuinely collaborative piano part.

What to expect

The piece unfolds like distant tremors made audible. It begins in stillness, in resonance felt before heard, then gradually sharpens into distinct waves of movement across multiple layers. Singing it demands patience with stasis and precision in complexity, culminating in a sense of having channeled something both intimate and vast.

Who it's for

Advanced soprano singers ready for modernist art song that demands both technical security and interpretive sophistication. This is ideal for recitalists, advanced vocal students preparing for conservatory-level auditions, and singers drawn to contemporary classical repertoire with literary substance.

How to get the most out of it

  • Trace the progression from static resonance to differentiated pulsation as your structural anchor. Map where the vocal ambitus expands and ensure your sound opens accordingly.
  • Study the poem alongside the score. Understanding Rinck's two-part structure and how Herrmann subdivides it into multiple sections will clarify your interpretive choices.
  • Balance the tendency of your vocal line to transcend the piano's framework with genuine ensemble awareness. The piece asks you to push beyond but never away from your accompanist.
  • Give yourself time with the piano writing before rehearsal. Its complexity at the harmonic and rhythmic levels directly shapes what your line can do.

How to use it

This works powerfully as a centerpiece in a recital devoted to contemporary art song or as a contrasting anchor in a program mixing art song periods and styles. Its 16-page length makes it substantial enough to warrant its own program slot. The piece also suits concert contexts exploring the relationship between poetry and music, particularly in educational settings where audiences can engage with both Rinck's text and Herrmann's musical response.

Skills your students will build

  • Reading and sustaining an expanding vocal line over complex piano textures
  • Coordinate phrasing between voice and piano across multiple metric and harmonic layers
  • Interpreting modernist vocal writing that prioritizes poetic imagery over conventional melodic arc
  • Balancing stasis and motion within a single formal structure
  • Collaborating with a piano part that is genuinely independent and demanding

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