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Totus Tuus for SATB Choir: SATB Choral

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Totus Tuus for SATB Choir Cover Image

Totus Tuus for SATB Choir: SATB Choral

By Peter-Anthony Togni

Item: 98-MB1630

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Description

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Additional Details
Series: Musica Baltica
Publisher: Edition Peters
Page Count: 4
ISBN10: 0-697-95591-5
ISBN13: 979-0-697-95591-2
UPC: 9790697955912
SKU: 98-MB1630

More about this title

About the Composer: Peter-Anthony Togni

Peter-Anthony Togni is a Canadian composer whose work spans sacred and secular genres with particular attention to choral writing. His compositions have been performed across North America and Europe, and he maintains an active presence in contemporary classical music circles.

Why we love this

Togni brings a contemporary harmonic language to sacred text without sacrificing singability or spiritual resonance. The piece sits comfortably in the range of developing SATB choirs while offering enough textural interest to engage singers and listeners alike.

What to expect

The piece inhabits a contemplative spiritual space grounded in the Marian text. Togni's harmonic language is modern yet warm, creating an atmosphere of reverent intensity rather than austere devotion.

Who it's for

SATB choirs at the high school, collegiate, and community levels will find this accessible yet artistically substantial. The four-page length and moderate difficulty make it suitable for choirs preparing concert programming without extensive rehearsal time.

How to get the most out of it

  • Balance the four voices carefully during homophonic passages; the alto and tenor lines carry important harmonic color that can disappear if not projected with intention.
  • Shape longer phrases with gradual dynamic arcs rather than terraced dynamics; this style suits the piece's contemporary sacred aesthetic.
  • Attend to any text underlay changes between voice parts to ensure clarity of the Latin text across the ensemble.

How to use it

Program this as a centerpiece in a concert exploring sacred music from living composers or as part of liturgical music programming. Its moderate length and character make it an effective closer for a mixed-repertoire concert.

Skills your students will build

  • Singing contemporary harmonic language with secure intonation
  • Balancing four independent vocal lines in texture-driven writing
  • Interpreting Latin sacred text with appropriate tone and phrasing
  • Responding to subtle dynamic and textural shifts within a cohesive musical phrase

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