Totari (Mixed Choir, SAB): Mixed Voices (SAB)

Jekabsone has crafted something genuinely useful here: a SAB arrangement that captures the character of the original without losing the rhythmic energy and melodic appeal that makes Totari stand out. The folkloric material feels authentic, the middle section gives singers a contrasting moment to breathe, and the whole thing sits naturally for mixed voices at an intermediate level.

Totari carries the spirited energy of a winter celebration, with the "totari" refrain acting as a call-and-response anchor throughout. The piece balances rhythmic drive with lyrical passages that feel both grounded in tradition and contemporary in execution, creating moments of genuine warmth amid the activity.

Mixed choirs at the intermediate level who want a secular work with genuine cultural substance and rhythmic interest. This arrangement opens doors for ensembles that don't have enough singers for larger voicings but still want to program something with personality.

• Anchor the "totari" refrain rhythmically. It's the signature element, so lock it in early and keep it crisp even as the piece gains texture around it.
• Shape the rhythmically lyrical middle section with legit phrase arcs rather than letting it flatten. This contrast makes the return to the main theme land harder.
• Lean into the folk style of the main melody without overdoing it. Think clarity and directness, not artifice.

Consider pairing this with other pieces from the Musica Baltica series to create a thematic set exploring Baltic vocal traditions. It works equally well as a standalone offering on a holiday or secular concert where you want something with rhythmic personality and cultural authenticity.

• Rhythmic precision in folk-influenced material
• Balancing rhythmic momentum with melodic phrasing
• Stylistic awareness of Baltic folk conventions
• Ensemble cohesion across contrasting musical sections