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Top Christmas Pop: 3-Part Mixed Choral Book

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Top Christmas Pop Cover Image

Top Christmas Pop: 3-Part Mixed Choral Book

Four Favorites for 3-Part Mixed Voices

By Glen Ballard, Alan Silvestri, Teena Chinn, Paul O’Neill, Robert Kinkel, Jon Oliva, Greg Gilpin, Dr. Seuss, Albert Hague, Jeff Funk, Mervyn Warren, Michael O. Jackson, and Mark Kibble

Item: 00-31272

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Description
Includes popular arrangements of: Believe * Perfect Christmas Night * You're a Mean One, Mr. Grinch * Hallelujah from Handel's Messiah: A Soulful Celebration.

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Additional Details
Series: Signature Series
Publisher: Alfred Music
Page Count: 48
UPC: 038081340401
SKU: 00-31272

More about this title

About the Composer: Glen Ballard

Glen Ballard is a Grammy Award-winning composer and producer whose work spans film, television, and popular music. His gift for crafting singable, emotionally resonant melodies has made him a trusted voice in music for young performers, where accessibility and engagement go hand in hand.

Why we love this

This collection assembles genuine crowd-pleasers that choirs actually want to sing. Each arrangement respects the emotional core of beloved songs while making them achievable for developing SAB ensembles, with voicing that supports rather than strains.

What to expect

These arrangements strike a balance between nostalgia and modernity. There's humor in the Grinch, warmth in the ballads, and a spiritual uplift in the Handel adaptation, creating a program that feels fresh rather than obligatory.

Who it's for

This book serves choirs in grades 5-12 looking for Christmas repertoire that connects with contemporary singers. Directors programming winter concerts will find music that generates genuine excitement from performers while remaining accessible to ensembles still building blend and independence.

How to get the most out of it

  • Balance the soprano and alto lines carefully in "You're a Mean One, Mr. Grinch" to keep the character sharp without overshadowing the harmonic foundation.
  • Use the recorded accompaniment to lock tempo and phrasing early in rehearsal, especially for "Believe," which benefits from confident rhythmic drive.
  • Shape the dynamics gradually through "Hallelujah" to let the spiritual weight build; avoid starting too loud.
  • Pay attention to diction clarity in the pop arrangements, where conversational phrasing matters as much as pitch.

How to use it

Build your Christmas concert around "Hallelujah" and "Believe" as substantial anchors, bracketing lighter pop selections that showcase personality and range. This collection works well as a complete program or as individual selections paired with other holiday repertoire.

Skills your students will build

  • Blending three-part textures with independent melodic writing
  • Singing contemporary pop phrasing and rhythmic precision
  • Managing dynamics and emotional arc across contrasting arrangements
  • Balancing accessibility with interpretive maturity

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