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Top Christian Hits Instrumental Solos for Strings: Cello Book & Online Audio/Software/PDF

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Top Christian Hits Instrumental Solos for Strings Cover Image

Top Christian Hits Instrumental Solos for Strings: Cello Book & Online Audio/Software/PDF

Arr. various, ed. Bill Galliford

Level: 2--3

Item: 00-46810

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Description
This series offers a versatile selection of today's top Christian hits for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and well suited for level 2--3 students. The recording includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software.

Titles: In Christ Alone (My Hope Is Found) (Passion [Featuring Kristian Stanfill]) * O Come to the Altar (Elevation Worship) * Even If (MercyMe) * What a Beautiful Name (Hillsong Worship) * Oh My Soul (Casting Crowns) * Great Are You Lord (All Sons & Daughters) * Good Good Father (Chris Tomlin) * The Lion and the Lamb (Big Daddy Weave) * Glorious Day (Passion [Featuring Kristian Stanfill]) * Home (Chris Tomlin) * I Can Only Imagine (MercyMe) * This Is Amazing Grace (Phil Wickham) * Thy Will (Hillary Scott & The Scott Family) * Trust in You (Lauren Daigle) * Clean (Natalie Grant).

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Additional Details
Series: Top Hits Instrumental Solos Series
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-3978-5
ISBN13: 978-1-4706-3978-5
UPC: 038081536736
SKU: 00-46810
Instrumentation: Cello

More about this title

Why we love this

The repertoire speaks directly to your students' actual lives and what they hear in worship spaces, youth groups, and streaming playlists. Rather than asking them to care about a piece because it's on the curriculum, you're offering music that already resonates emotionally, which means they'll practice with genuine investment. The orchestrated demo tracks remove the friction of learning unfamiliar arrangements; students hear exactly what they're working toward before they start.

What to expect

Uplifting and singable, with melodies designed for accessibility rather than technical display. The orchestral accompaniment wraps each cello part in warmth, creating an immediately polished sound even at early-intermediate levels.

Who it's for

Cellists in grades 2 through 3 who want accessible solo repertoire with genuine cultural currency. This works equally well for church music programs, school ensembles needing contemporary material, and students seeking solo pieces they actually want to play.

How to get the most out of it

  • Balance your tone against the recorded accompaniment by listening carefully to how the demo track's cello sits in the orchestration. You may need to project more than you think to sit properly in the mix without sounding strained.
  • Map out phrase breathing before rehearsal. These contemporary songs often follow pop phrasing rather than classical architecture, so marking where you actually need air prevents awkward cuts mid-phrase.
  • Use Alfred's Tempo Changer to slow the play-along tracks during initial learning. Most students this level benefit from 80-85% speed while establishing notes and rhythms.
  • Lock onto the rhythm section in the accompaniment rather than thinking about individual parts. Feeling the groove underneath keeps the energy contemporary and authentic.

How to use it

Select 2-3 titles for a spring concert themed around contemporary sacred music, or use individual solos as rotation pieces in church services where they'll reach audiences directly. These arrangements also work beautifully as smaller ensemble vehicles when you pair the cello part with piano accompaniment during rehearsal periods when full ensemble isn't available.

Skills your students will build

  • Singing contemporary melodic lines with consistent vibrato and tone quality
  • Maintaining rhythmic precision against a fixed accompaniment without conductor guidance
  • Interpreting stylistic articulation and phrasing specific to pop and contemporary worship idioms
  • Managing dynamic contrast within a relatively compact range across 15 different songs

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