Tonight: Choral SoundPax
Words by Sara Teasdale, music by Enrique Lacárcel
Item: 00-PK-0008800
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Tonight: Score | $8.00 | |
| Tonight: 1st Violin | $3.00 | |
| Tonight: 2nd Violin | $3.00 | |
| Tonight: Viola | $3.00 | |
| Tonight: Cello | $3.00 |
Parts Added to Cart!
Description
Tonight: Choral SoundPax isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
Why we love this
Lacárcel sets Teasdale's poem with remarkable harmonic sophistication while keeping the emotional core utterly accessible to singers. The close treble voicing demands precision but rewards it with that shimmering, intimate quality the text deserves. Adding optional strings transforms it into a concert showcase piece without requiring orchestration to land.
What to expect
Starlight through stained glass. The piece floats with nocturnal beauty, tender and unhurried, while the harmonic language keeps shifting unexpectedly beneath your feet. Devotion feels earned rather than declared.
Who it's for
Intermediate to advancing treble choirs with strong diction and harmonic awareness. This works beautifully for groups ready to tackle lush colors and poetic text painting, whether in a concert setting or festival competition.
How to get the most out of it
- Balance the treble sonorities carefully; these close harmonies need clarity rather than blend. Each voice line should ring through.
- If using the string quartet, rehearse with the recording until your singers feel the shimmer underneath them. It changes the whole acoustic.
- Shape the phrasing around Teasdale's line breaks, not just the musical cadences. The poetry breathes differently than the harmony does.
- Let the final statement "Eternity was made for them; tonight for us" have space. Resist rushing the ending.
How to use it
Pair this with other secular art song arrangements for a poetry-focused concert set, or program it as the emotional heart of a mixed program. The optional string quartet makes it substantial enough to anchor a second half or serve as a strong closing number.
Skills your students will build
- Reading close treble voicings and maintaining independent lines in tight harmonic clusters
- Coloring tone to support chromatic harmony changes
- Phrasing by poetic text rather than musical syntax
- Ensemble blend and balance in intimate a cappella settings
- Coordination with string accompaniment when parts are added