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Tone and Technique: Conductor Book

$19.95 USD
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Tone and Technique Cover Image

Tone and Technique: Conductor Book

Through Chorales and Etudes

By James D. Ployhar and George B. Zepp

Item: 00-EL03173

$19.95
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Description
An ideal combination for the improvement of technical facility, articulation, intonation, and tone.

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Additional Details
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7579-3072-7
ISBN13: 978-0-7579-3072-0
UPC: 029156632903
SKU: 00-EL03173
Instrumentation: Conductor

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped music education through prolific composition and arrangement, with over 800 published works to his name. His Contemporary Band Course, now published by Alfred Music, has become a standard resource in band programs across the United States and beyond, translated into French and Norwegian for international use. Ployhar studied composition at California State University-Long Beach under Morris Hutchings Ruger and drew on his orchestration work with Knud Havalde of the Danish Royal Philharmonic Orchestra to deepen his craft.

Beyond the page, Ployhar spent more than 19 years teaching in public school music programs while simultaneously establishing himself as a clinician and conductor. His work has been performed internationally in Europe, Japan, and the Pacific Rim, and aired on network television. He received the National Band Association Citation of Excellence for his contributions to bands and band music, the Distinguished Alumnus Award from Valley City State University, and membership in the American Bandmasters Association.

Why we love this

Ployhar and Zepp built this conductor resource to address the core technical challenges every band director faces: intonation drift, sloppy articulation, and uneven tone production across the ensemble. Rather than separating these issues, the book treats them holistically, showing conductors how to diagnose and correct them through systematic rehearsal planning. The 96-page format packs serious pedagogical depth without overwhelming your preparation schedule.

What to expect

Clear, purposeful work. The exercises are direct and uncluttered, designed so students understand what they're fixing and why. There's no pretense here, just solid pedagogy applied to the real challenges of band training.

Who it's for

Conductors of concert bands at the middle school, high school, and community band level who want a systematic approach to ensemble tone and technique. This resource serves directors preparing students for festival performance or working toward tighter fundamental sound quality.

How to get the most out of it

  • Isolate problem areas by having sections play passages in unison first, then return to written voicings; this exposes intonation issues that blend might mask
  • Conduct with clear articulation patterns that reinforce the exact attacks and releases you hear in your head; your gesture is the first teaching tool
  • Use the book's technical exercises in warm-up rotation rather than once, cycling through different focus areas week to week so the band builds cumulative progress

How to use it

Build this into your standard warm-up and technique rotation before moving into concert repertoire. The exercises work best when integrated into early rehearsals each week, establishing a foundation of clarity and consistency that carries forward into your music selections.

Skills your students will build

  • Consistent intonation across all instrumental sections
  • Articulation clarity and precision across different style markings
  • Tone production through focused listening and ensemble blend
  • Technical facility through targeted exercise sequences
  • Response to clear conducting gesture and rehearsal language

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