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Toccatas, Book 2: Piano Book

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Toccatas, Book 2 Cover Image

Toccatas, Book 2: Piano Book

5 Impressive Solos for Piano

By Dennis Alexander

Level: Intermediate / Late Intermediate

Item: 00-47846

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Description
The word toccata comes from the Italian word toccare (to touch). Such virtuosic pieces for the keyboard typically display the performer's technique. Each piece in this collection provides an opportunity to demonstrate dexterity combined with musicality, characterization, and a genuine command of the instrument. These flashy, exciting toccatas will let students shine in recitals, competitions, and festivals. Titles: Blue, Blue Toccata * Platinum Toccata * Toccata alla Tarantella * Toccata Espagnol * Toccata Intrepido.

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Sample Pages

Sample Audio
1 Blue, Blue Toccata --:--
2 Platinum Toccata --:--
3 Toccata alla Tarantella --:--
4 Toccata Espagnol --:--
5 Toccata Intrepido --:--

Blue, Blue Toccata

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Sample Video
Additional Details
Series: Toccatas
Publisher: Alfred Music
Page Count: 24
ISBN10: 1-4706-4175-5
ISBN13: 978-1-4706-4175-7
UPC: 038081548630
SKU: 00-47846

More about this title

About the Composer: Dennis Alexander

Dennis Alexander

Dennis Alexander has shaped generations of piano students through more than 400 publications with Alfred Music Publishing since 1986, establishing himself as one of the most performed composers of educational piano repertoire worldwide. His teaching career spanned decades, including 24 years as a piano pedagogy instructor at the University of Montana and faculty positions at Cal State Fullerton and Cal State Northridge. Alexander's reputation extends beyond the page: he performed his Carnegie Recital Hall debut in 1987, has served as collaborative artist for internationally recognized soloists and chamber ensembles, and remains an active clinician at state and national music teachers conventions. His work has earned commissions from numerous organizations and state music associations, reflecting the respect he commands in both pedagogical and performance circles.

A native of Kansas and graduate of the University of Kansas, Alexander continues to compose and tour from his home in Albuquerque, New Mexico. His international reach has grown steadily: he conducted master classes at the MTNA national convention in 2009 and has judged national competitions abroad while touring to perform recitals and workshops across Singapore, Hong Kong, Malaysia, Indonesia, and South Korea.

Why we love this

Alexander writes toccatas that demand real technical prowess without sacrificing musical substance. Each piece has a distinct character—from the bluesy swing of 'Blue, Blue Toccata' to the Spanish flair of 'Toccata Espagnol'—so your students aren't just running scales; they're storytelling through fingerwork. These are the pieces that make audiences remember a recital.

What to expect

Each toccata sparkles with its own personality: some glide with blues sensibility, others crackle with Spanish fire or tarantella energy. The writing sits under the hands naturally while demanding precision, control, and the kind of confidence that comes from real preparation. When performed well, these pieces feel less like exercises and more like concert music.

Who it's for

Intermediate and late intermediate pianists ready to move beyond etude-style work into genuinely musical showpieces. These pieces suit students preparing for competitions, festivals, or recitals who thrive on technical challenges paired with stylistic variety.

How to get the most out of it

  • Establish the rhythmic pulse early in rehearsal, especially in pieces with syncopation or Latin rhythms. A clear metronome practice foundation prevents these pieces from becoming sloppy despite their flashy surface.
  • Shape the scalar passages with musical direction rather than treating them as mere display. Listen for contour and phrase, not just velocity.
  • Balance virtuosity with clarity. Record yourself to catch moments where speed eclipses articulation or where voicing gets muddied.
  • Use the character suggested by each piece's title to inform your interpretation. 'Toccata Intrepido' demands different energy and attack than 'Blue, Blue Toccata.'

How to use it

Program individual toccatas in student recitals to showcase different pianists' strengths and interpretive voices. The variety within the set also works well for festival repertoire lists where students need multiple contrasting pieces. Consider pairing one or two toccatas with Baroque or Classical works to demonstrate how keyboard virtuosity crosses centuries.

Skills your students will build

  • Technical facility across the full keyboard with emphasis on scalar and figuration patterns
  • Stylistic interpretation (blues idioms, Spanish and Italian musical language, dance rhythms)
  • Rhythmic precision and coordination between hands in syncopated and driving passages
  • Dynamic control and voicing clarity at faster tempos
  • Stamina and endurance in longer virtuosic sections

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