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Toccata "Hygagan": Late Intermediate Piano Sheet

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Toccata "Hygagan" Cover Image

Toccata "Hygagan": Late Intermediate Piano Sheet

By Dianne Goolkasian Rahbee / ed. Stephanie Bruning

Item: 98-JS2002

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Description
Musical works with the title toccata usually imply an exciting, rapid, rhythmic, energetic, touch piece. Hygagan means Armenian. The opening Molto Energico section is polymetric (7/8 and 6/8 meter) with LH octaves throughout. The middle section Molto espressivo uses LH arpeggios and scale passages and then returns to the opening section. The final Appassionanto is played ff. You can find videos on youtube. The entire work lasts 3:45 minutes.

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Additional Details
Series: The FJH Contemporary Keyboard Sheets
Publisher: The FJH Music Company, Inc.
UPC: 241444394892
SKU: 98-JS2002

More about this title

About the Composer: Dianne Goolkasian Rahbee

Dianne Goolkasian Rahbee is a composer and pianist whose work bridges contemporary classical idioms with cultural specificity. Her compositions often draw on Armenian musical heritage, as evidenced in pieces like Toccata "Hygagan," where she fuses traditional cultural identity with modern rhythmic and harmonic language.

Why we love this

Rahbee writes toccatas that demand real energy and technical engagement without veering into empty virtuosity. The polymetric opening forces students to hear and feel independent rhythmic layers, while the middle section's expressive arpeggios provide breathing room before the final passionate drive. It's the kind of piece that keeps students invested from first read-through to performance.

What to expect

Propulsive and urgent in the opening, with left-hand octaves driving relentlessly beneath the melody. The middle section softens into introspection, with arpeggios that flow like water before the final section explodes with unrestrained passion and conviction.

Who it's for

Late intermediate pianists ready to tackle modern metric complexity without sacrificing musicality. This piece suits students who want contemporary material with genuine cultural grounding and audiences who appreciate concert works beyond the standard Romantic repertoire.

How to get the most out of it

  • Establish the polymetric relationship between 7/8 and 6/8 in the opening by practicing those sections separately first. Lock in the left-hand octaves as your rhythmic anchor before layering the melody.
  • The transition into Molto espressivo works best when you release the tension deliberately. Shape the arpeggios and scalar passages as singing lines rather than technical display.
  • Build the final Appassionanto section gradually. Even though it's marked ff, let the dynamic arrive naturally through the phrase rather than jumping to full volume immediately.

How to use it

Position this as a solo feature on a contemporary or multicultural concert. At under four minutes, it pairs well with shorter Baroque or Classical pieces on the same recital, or as a standalone closer that leaves audiences energized.

Skills your students will build

  • Reading polymetric passages (7/8 and 6/8 simultaneously)
  • Controlling independent left-hand voicings while maintaining rhythmic integrity
  • Shaping long-lined arpeggios and scalar passages expressively
  • Managing dynamic range and textural shifts across distinct musical sections
  • Sustaining energy and tempo stability through rhythmically irregular material

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