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To Be Free: Piano Duo (2 Pianos, 4 Hands) Sheet (2 copies included)

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To Be Free Cover Image

To Be Free: Piano Duo (2 Pianos, 4 Hands) Sheet (2 copies included)

By Ellen Foncannon

Level: Late Intermediate

Item: 00-18162

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Description
This inspirational piece for late intermediate piano ensemble---two pianos, four hands---begins in the key of C major and 4/4 meter and modulates to G major. The melodic material is interwoven between the two pianos, along with a flowing accompaniment pattern. Two copies are included. A Federation Festivals 2024-2028 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, To Be Free: Piano Duo (2 Pianos, 4 Hands) Sheet (2 copies included) comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 16
UPC: 038081167152
SKU: 00-18162

More about this title

Why we love this

Ellen Foncannon writes for two pianos with real pianistic logic. The melodic interplay between the two instruments feels natural, not forced, and the flowing accompaniment pattern gives both players genuine musical work. Its selection for Federation Festivals 2024-2028 reflects the kind of substantive intermediate repertoire that adjudicators and audiences recognize as genuinely musical.

What to expect

Inspirational and bright, with a sense of forward motion driven by the flowing accompaniment underneath. The melodic conversation between the two pianos creates dialogue and shared expression, culminating in the warmth of the G major key.

Who it's for

Late intermediate pianists ready to collaborate on a duo with genuine musical substance. The work suits festival preparation, recital programming with a partner, or classroom ensembles where two pianists perform together.

How to get the most out of it

  • Balance the shared melodic material between pianos so that neither player dominates. The interweaving requires listening and responding to your partner's phrasing in real time.
  • Keep the accompaniment pattern consistent and flowing, even when the melody shifts between pianos. This underpinning is what holds the piece together.
  • Approach the modulation from C major to G major as a natural brightening rather than a dramatic shift. The key change should feel organic to the piece's arc.

How to use it

Schedule this in a festival season as a substantial late intermediate selection that showcases collaborative musicianship. It pairs well with solo repertoire from the same level, offering contrast through its ensemble texture and accessible yet engaging harmonic language.

Skills your students will build

  • Collaborative listening and musical partnership between two pianists
  • Balancing melody and accompaniment across two instruments
  • Understanding key modulation (C major to G major)
  • Maintaining rhythmic and textural consistency in 4/4 meter
  • Reading and interpreting interweaving melodic lines

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