Tiny Lullaby Cover Image

Tiny Lullaby: Piano Sheet

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Tiny Lullaby Cover Image

Tiny Lullaby: Piano Sheet

By Margaret Goldston

Level: Elementary

Item: 00-6648

$3.50
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Description

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Additional Details
Publisher: Alfred Music
Page Count: 4
UPC: 038081020938
SKU: 00-6648

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston spent her career composing, teaching, and mentoring musicians across North Carolina and beyond. A Louisiana State University piano performance graduate, she earned recognition as LSU's School of Music Alumnus of the Year in 1991 and studied composition privately with Pulitzer Prize winner Robert Ward.

Goldston's contributions to music education were substantial and widely recognized. The North Carolina Federation of Music Clubs named her Composer of the Year twice (1983 and 1994), and she was invited to speak at NFMC conventions and conduct masterclasses throughout the United States and Canada. Her works remain staples on junior festival competition lists and in elementary studios. In 2020, the Music Teachers National Association honored her posthumously as a Foundation Fellow.

Why we love this

Goldston writes with genuine understanding of what elementary pianists can accomplish. This piece captures real musical ideas in a form that feels complete and satisfying, rather than overly simplified. Students feel accomplished performing it.

What to expect

A quiet, sustained musical moment that invites rather than demands attention. The piece unfolds at a gentle pace, allowing simple melodic ideas to breathe and harmonies to settle softly around them.

Who it's for

Elementary pianists developing legato playing and phrase awareness will find this piece accessible and musically rewarding. Teachers seeking repertoire that sounds mature while staying within the technical reach of young students will appreciate Goldston's craftsmanship here.

How to get the most out of it

  • Bring out the gentle melodic contour by shaping phrases with subtle dynamic shifts rather than rigid crescendos and diminuendos.
  • Allow rubato in the opening measures to establish the lullaby's unhurried character before settling into a consistent pulse.
  • Listen carefully to pedal changes to avoid muddying harmonies; change on harmonic shifts rather than holding throughout entire phrases.

How to use it

This works beautifully as an opening number on a student recital, setting a calm and thoughtful tone for the program. It can also serve as an encore or as the closing piece of a pre-concert student gathering.

Skills your students will build

  • Legato pedal technique
  • Phrasing and musical shaping at moderate tempos
  • Reading and interpreting tempo and dynamic markings
  • Hand independence in lullaby-style accompaniment patterns

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