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Timepieces: Full Score

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Timepieces Cover Image

Timepieces: Full Score

By Jonathan Harvey

Item: 12-0571557120

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-55712-0
ISBN13: 978-0-571-55712-7
UPC: 571557120000
SKU: 12-0571557120

More about this title

About the Composer: Jonathan Harvey

Jonathan Harvey (1939-2012) was a British composer whose work bridged modernist technique and spiritual inquiry. A student of Erwin Stein and Karlheinz Stockhausen, Harvey developed a distinctive voice that integrated serial methods, spectral harmony, and electronic elements into richly expressive scores. He served on the faculty at Stanford University and Southampton University, and his catalog spans orchestral works, chamber music, operas, and electroacoustic pieces that consistently challenge performers and audiences to hear familiar materials in radically new ways.

Why we love this

Timepieces exemplifies Harvey's gift for architectural clarity within complex harmonic and rhythmic structures. The full score reveals how a miscellaneous ensemble of varied instruments can be orchestrated with precision and poetry, making it an ideal study in contemporary orchestration for conductors and composers who want to hear sophisticated modern practice demonstrated at a high level.

What to expect

Timepieces unfolds with the precision of a mechanism that reveals hidden beauty in its own functioning. The work balances intellectual rigor with a contemplative, almost meditative quality, inviting listeners into a world where clock-like regularity and spiritual searching coexist.

Who it's for

Conductors of contemporary music ensembles, composers studying 20th-century orchestration techniques, and advanced community or university orchestras ready to program significant modernist works. This is repertoire for musicians who have engaged with post-war European composition and want to deepen their understanding of how harmonic and rhythmic complexity can serve expressive ends.

How to get the most out of it

  • Study the conductor's score first to understand how individual instrumental lines interlock across the ensemble; the piece's cohesion depends on secure ensemble listening rather than metronomic rigidity.
  • Pay close attention to dynamic shaping within longer phrases; Harvey's modernist language often communicates intensity through graduated color and balance rather than sudden contrasts.
  • Check the instrumentation requirements carefully during rehearsal planning so all necessary instruments are covered; miscellaneous ensemble pieces sometimes involve less common doublings or doublets.

How to use it

Program this as a centerpiece for a 20th-century modern music concert, pairing it with other British modernists or with works by Stockhausen and his circle. Its architectural sophistication and moderate length make it suitable for showcasing an ensemble's commitment to new music without overwhelming a mixed concert program.

Skills your students will build

  • Reading complex polyrhythmic passages and mixed meters across instrumental families
  • Balancing ensemble transparency in textures layered with multiple simultaneous lines
  • Interpreting extended techniques and unconventional notational symbols in contemporary scores
  • Understanding spectral and post-serial harmonic language in performance
  • Conducting secure ensemble entries and subdivisions in modernist context

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