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Tico Tico: Concert Band Conductor Score

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Tico Tico: Concert Band Conductor Score

By Zequinha De Abreu / arr. David Marlatt

Grade: 4

Item: 81-CB2265S

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Description
This classic Latin piece has become a favourite with audiences all over the world. The great groove of the tune will quickly catch the audience and transport them to a warmer climate. This features most sections of the band with almost everyone getting a turn with some melody. This shouldn't take much time to put together and you'll be guaranteed standing ovations!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 0
SKU: 81-CB2265S

More about this title

About the Composer: Zequinha De Abreu

Zequinha De Abreu (1880-1935) was a Brazilian composer and pianist whose work helped define the rhythmic language of early twentieth-century Latin music. Born in Taubaté, São Paulo, he composed primarily for piano and small ensembles, creating pieces that captured the infectious energy and harmonic richness of Brazilian popular music. His compositions remain central to the concert band and wind band repertoire worldwide.

Tico Tico stands as De Abreu's most enduring work, a piece that transcends its original context to become a gateway into Latin style for musicians of all levels. The tune's accessibility paired with its genuine musical sophistication has made it a cornerstone of educational and professional programming for over a century.

Why we love this

David Marlatt's arrangement gives every section meaningful material without sacrificing the piece's irresistible forward momentum. The Grade 4 scoring is honest: rhythmically propulsive and harmonically engaging without unnecessary complications. Your band will sound polished and energetic from the first rehearsal, and the audience response is virtually guaranteed.

What to expect

Tico Tico radiates warmth and vitality from the first phrase. The piece bounces with rhythmic energy while maintaining a lyrical melodic thread that keeps it feeling musical rather than merely percussive. There's a sense of forward momentum and infectious joy that makes musicians and listeners alike feel transported.

Who it's for

This arrangement serves concert bands at the Grade 4 level looking for a piece that builds ensemble cohesion while delivering immediate audience satisfaction. It works equally well for educational programs seeking to introduce Latin idioms and for more experienced groups wanting a reliable concert closer. The piece requires no specialized instrumentation beyond a standard concert band.

How to get the most out of it

  • Keep the rhythmic pulse locked from the top. The groove depends on precise articulation in the rhythm section, particularly the consistent eighth-note drive that propels the arrangement forward.
  • Balance the melody features carefully as they rotate through the ensemble. Each section should feel like it's stepping into the spotlight, not competing for attention.
  • Lean into the Latin character without over-dramatizing. The charm lies in a steady, buoyant groove that sounds natural, not labored.
  • Pay attention to dynamic contrast between the ensemble background figures and the melodic passages. This clarity ensures the arrangement's work in voice leading becomes audible.

How to use it

Program this as a concert finale or as part of a Latin-themed set pairing it with other works in the style. The accessibility and guaranteed audience engagement make it an excellent choice for community concerts, pops programs, or spring concerts where you want to end on a high-energy, feel-good note. It also serves educational programming well, anchoring a unit on twentieth-century vernacular music.

Skills your students will build

  • Reading and executing steady eighth-note rhythmic patterns in a Latin style
  • Maintaining rhythmic precision within an ensemble groove
  • Balancing solo melodic passages against harmonic and rhythmic accompaniment figures
  • Interpreting and performing Latin articulation and phrasing conventions
  • Listening for and responding to dynamic and textural shifts across ensemble sections

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