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Threnos: Voice (Unaccompanied & Accompanied)

$15.95 USD
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Threnos Cover Image

Threnos: Voice (Unaccompanied & Accompanied)

for Two Voices

By Emily Howard

Item: 98-EP73340

$15.95
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-57-701933-3
ISBN13: 979-0-5770-1933-8
SKU: 98-EP73340

More about this title

About the Composer: Emily Howard

Emily Howard is a British composer whose work spans orchestral, chamber, and vocal music, often exploring the expressive possibilities of the human voice and unconventional instrumental textures. Her compositions are performed internationally and published by Edition Peters, reflecting a distinctive aesthetic that combines contemporary compositional techniques with deeply communicative emotional content.

Why we love this

Threnos offers singers a modern work that demands real vocal artistry without sacrificing accessibility. The dual format (unaccompanied and accompanied versions) gives you flexibility in recital programming while the text-based or textless option suits different performance contexts and ensemble sizes.

What to expect

Threnos has the contemplative weight suggested by its title, moving through expressive vocal lines that feel both modern and deeply human. Whether performed with or without the piano, the piece invites intimate communication with the listener.

Who it's for

This work suits advanced high school and college singers, professional vocalists, and recital soloists seeking contemporary choral or solo repertoire with substance. The unaccompanied option makes it particularly valuable for vocal students building independence and control without accompaniment.

How to get the most out of it

  • Study the accompanied version first if you're new to the piece; the piano part clarifies harmonic context and can illuminate phrasing choices that carry forward into unaccompanied performances.
  • Attend closely to dynamic control in sustained passages. The unaccompanied version requires careful shaping of long tones to maintain listener engagement without instrumental support.
  • Coordinate any fermatas or ritardandi with your accompanist well in advance; the unaccompanied version will expose timing decisions that need agreement and rehearsal.

How to use it

Place this in a recital program alongside other contemporary vocal works to create a coherent modern set, or use the unaccompanied version in a chamber music or a cappella concert context. Its 16-page length makes it substantial enough to anchor a program segment without overwhelming a single performance.

Skills your students will build

  • Sustaining and shaping long vocal lines without harmonic or rhythmic support
  • Reading and interpreting contemporary notation and compositional techniques
  • Coordinating intonation and phrasing across unaccompanied passages
  • Balancing independence with collaborative listening when performed with accompaniment

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