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Three Romances: Piano Sheet

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Three Romances Cover Image

Three Romances: Piano Sheet

By Catherine Rollin

Level: Late Intermediate

Item: 00-46813

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Description
Three Romances includes original solos written in genres from the Romantic period. Students will find them useful as preparation for studying compositions by composers such as Chopin, Schumann, and Grieg. The first movement is a nocturne in compound meter. A continuous eighth-note accompaniment is interrupted by arpeggios divided between the hands. The fantasy requires students to project the right-hand melody over a continuous accompaniment in the same hand. The final waltz includes a jump-bass accompaniment in the left hand. Movements: Forest Nocturne * Night Fantasy * Wistful Waltz. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Three Romances: Piano Sheet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Recital Suite Series
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-3963-7
ISBN13: 978-1-4706-3963-1
UPC: 038081534978
SKU: 00-46813

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin is a composer and performer whose dual career spans composition, teaching, and professional concert work. She holds degrees from the University of Michigan (Bachelor of Musical Arts with distinction) and Oakland University School of Performing Arts (Master of Music), and has presented workshops and masterclasses throughout the United States, Canada, Japan, and Taiwan. Her compositions have earned multiple commissions from the Clavier Companion magazine, the Music Teachers National Association (MTNA), and the Michigan Music Teachers Association, with numerous works appearing in the National Federation of Music Clubs Festivals Bulletin.

Rollin's achievements include national judging roles for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest, as well as a prestigious commission from the MTNA's From the Pen to the Premiere series, which resulted in Suite Detroit for flute, alto saxophone, and piano (premiered at the 2018 MTNA national conference). Her ASCAP award-winning series Museum Masterpieces (Books 1-4) was prominently featured during her 2018 Steinway Society concert performance.

Why we love this

Rollin writes with a clear understanding of late intermediate pianists' technical needs and musical ambitions. Each movement targets a specific pianistic challenge—compound meter coordination, single-hand melody and accompaniment, and jump-bass patterns—while delivering convincing Romantic character that prepares students authentically for the actual masterworks they'll encounter next. The suite's inclusion in the Federation Festivals 2020-2024 selection confirms its currency and relevance in the festival circuit.

What to expect

These three pieces capture the intimacy and yearning characteristic of the Romantic salon. Forest Nocturne evokes twilight contemplation with its gentle, flowing accompaniment and introspective melody, while Night Fantasy builds intensity through its more dramatic accompanying texture and requires the pianist to project a singing line across both hands. Wistful Waltz brings the suite to a close with elegant, dance-like grace, its jumping bass pattern suggesting the refined accompaniment of a period ballroom.

Who it's for

Late intermediate pianists preparing for festival performances or recitals who are ready to explore Romantic-era idioms with technical sophistication. Students will benefit most if they have some experience with rubato and expressive shaping, and are beginning to understand the harmonic language of the nineteenth century.

How to get the most out of it

  • In Forest Nocturne, allow the eighth-note accompaniment to establish a gentle pulse before introducing the melody; this groundwork helps the arpeggios feel integrated rather than disruptive.
  • Night Fantasy demands a clear separation of roles between melody and accompaniment even within the right hand; practice them independently first, then layer them with the melody always singing above.
  • Shape the left-hand jumps in Wistful Waltz as musical events, not mechanical leaps; slight dynamic emphasis on the bass notes helps the waltz remain buoyant rather than percussive.
  • Record yourself playing each movement and listen for moments where the accompanimental texture overwhelms the melody; adjust voicing and balance accordingly.

How to use it

Program this suite as a cohesive recital offering that showcases a student's ability to sustain contrasting moods across three distinct Romantic forms. The nocturne and waltz pair particularly well with individual Chopin or Schumann pieces, while the fantasy's technical demands position it effectively between lighter opening works and more virtuosic closing selections.

Skills your students will build

  • Reading and executing compound meter with fluidity and independence of hands
  • Balancing a projected melody against continuous accompanimental figures within the same hand
  • Managing jumps and awkward left-hand patterns while maintaining rhythmic stability
  • Understanding nocturne, fantasy, and waltz as formal and stylistic frameworks
  • Developing expressive control through rubato and dynamic shaping in Romantic idioms

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