Three Jazz Carols Cover Image

Three Jazz Carols: 3-Part Mixed/SAB Choral Octavo

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Three Jazz Carols Cover Image

Three Jazz Carols: 3-Part Mixed/SAB Choral Octavo

It Came Upon a Midnight Clear / The Coventry Carol / Angels We Have Heard on High

Arr. Donald Moore

Item: 00-23443

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"It Came Upon a Midnight Clear," "The Coventry Carol," and "Angels We have Heard on High" like you have never heard them before. This brief holiday medley delights with its jazzy harmonies and swingy waltz tempos that break only once in the balladic middle. It's here that Donald Moore weaves in two additional Christmas themes. Outstanding when performed with a live jazz combo (using the SoundPax parts) or with the SoundTrax CD. SoundPax includes parts for 2 cl., a. sax., t. sax., rhy.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081237671
SKU: 00-23443

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned degrees in organ performance and music education from Kent State University and has built a prolific career as a composer and arranger across multiple genres. His catalog exceeds 500 published works spanning sacred and secular choral music, educational pieces, organ and piano literature, and instructional texts. His compositions regularly appear at state and national festivals, and he has received seventeen ASCAP Composers Standard Awards. In 2019, the American Choral Directors Association recognized him among 400 significant composers in the history of American choral music.

Beyond his musical pursuits, Moore serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, where his choral and organ work continues to shape the congregation's musical life. His arrangements and compositions are published by Alfred Music, Hal Leonard, Heritage Music Press, and other major houses.

Why we love this

Moore's jazz sensibility transforms these beloved carols into something genuinely engaging for contemporary singers without losing their essential character. The arrangement's structural variety (swinging waltz, a balladic section that weaves in additional Christmas themes, then back to swing) keeps both singers and audiences invested, while the optional instrumentation lets you scale the performance to match your resources.

What to expect

A fresh take on holiday music that swings with genuine ease and warmth. The opening waltz feels sprightly and modern; the middle section settles into balladic intimacy where Moore's additional thematic material unfolds with genuine tenderness; the return to swinging rhythm feels like coming home.

Who it's for

Choral directors with SAB or mixed ensembles who want to offer their singers something beyond traditional carol arrangements. This works well for groups with some jazz sensibility and access to jazz accompaniment, whether through the optional live combo parts or the recorded track.

How to get the most out of it

  • Study the swing rhythms carefully in rehearsal; the triplet-feel waltz tempos require precision from your singers to sit comfortably alongside any accompanying jazz combo.
  • If performing with live instruments, schedule a joint rehearsal with your rhythm section and saxophone players well before the performance date so the choir can feel the groove anchored by the drums and bass.
  • Shape the balladic middle section with rubato and dynamic control; this moment of contrast is where Moore's additional Christmas themes land and deserve breathing room.
  • Balance the harmony writing in the jazz sections by having singers listen across parts rather than locking onto melody lines alone; the chromatic and extended harmonies deserve clarity.

How to use it

Use this as a stylistic pivot point in a holiday concert where traditional carols dominate. Placing it after a set of straightforward seasonal pieces signals a change in energy and mood, and it works especially well as a closer that leaves audiences smiling. For choral groups that emphasize jazz or contemporary styles, this medley fits naturally into a winter concert program and showcases your ensemble's rhythmic sophistication.

Skills your students will build

  • Singing swing rhythms and triplet subdivisions in waltz meter
  • Balancing and blending extended jazz harmonies
  • Coordinating with a rhythm section or recorded accompaniment
  • Maintaining intonation in chromatic harmonic progressions
  • Adjusting vocal timbre and phrasing for jazz idiom

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