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Three Blessings: SATB <i>a cappella</i> Choral Octavo

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Three Blessings Cover Image

Three Blessings: SATB a cappella Choral Octavo

1. For Ev'ry Storm, a Rainbow 2. May Your Hands Sow Seeds of Kindness 3. In the Sunlight of Love

Traditional Irish & Old English Blessings / arr., with new words and music, by Glenda Franklin

Item: 00-48325

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Description
Following the success of her Two Irish Blessings, Glenda Franklin shares this creative a cappella set that is ideal as a concert finale, encore, benediction, or graduation selection. Whether performed individually or in tandem, each of these brief movements offers a sincere farewell wish sung in polished choral harmony.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Three Blessings: SATB a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081551487
SKU: 00-48325

More about this title

About the Arranger: Glenda Franklin

Glenda Franklin

Glenda Franklin brings four decades of music education experience to her compositional work, having taught middle and high school choir in Georgia public and private schools while maintaining an active private studio teaching piano, voice, and organ. Her deep involvement in the state's choral community spans conducting and adjudicating district and state honor choruses, Georgia All-State Chorus, and large group performance evaluations. Franklin holds degrees from Brenau University and Piedmont College and has been recognized as South Habersham Middle School Teacher of the Year twice, in 1999 and 2009.

Franklin's music appears with major publishers including Alfred Music, Carl Fischer, Shawnee Press, and Chorister's Guild. Twenty-two of her compositions currently appear on Georgia's Large Group Performance Evaluation required music list, and her work has been selected for state and festival programs across multiple states. She maintains membership in NAfME, GMEA, ASCAP, and several honor societies for educators.

Why we love this

Franklin's gift for crafting accessible a cappella writing shines here. The three movements work equally well as individual selections or performed as a unified set, giving you genuine flexibility for concert programming, and the brevity of each piece makes them ideal for students still building their a cappella confidence.

What to expect

These three blessings carry warmth and sincerity, with each movement offering a graceful vocal line supported by polished harmonic writing that feels natural rather than forced. The a cappella setting creates an intimate connection between singers and audience, making these pieces feel like a genuine send-off or moment of reflection.

Who it's for

Directors seeking authentic a cappella literature that works for concert finales, encores, or graduation ceremonies will find these pieces both musically satisfying and practical for mixed choirs. The 12-page octavo is accessible to high school choirs and advanced middle school ensembles with solid part-singing experience.

How to get the most out of it

  • Balance the parts carefully during initial rehearsals by having singers mark their entrance points and listening actively for the chord foundation beneath their line.
  • Record a sectional rehearsal and have singers listen back to check intonation across the full SATB texture.
  • If performing the set in sequence, allow a breath or moment of silence between movements to let each blessing land with the audience.

How to use it

Open a spring concert or commencement with all three movements as a unified benediction, or select individual blessings to underscore specific moments in your season. The brevity and reverent character make them excellent choices for encore selections when you need a meaningful close without disrupting your concert flow.

Skills your students will build

  • Sustaining pitch accuracy in a cappella textures without instrumental support
  • Balancing individual lines within SATB harmony
  • Shaping phrases with dynamic control in brief musical statements
  • Performing with textual clarity and emotional authenticity in sacred repertoire

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