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This Old Man Variations: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

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This Old Man Variations Cover Image

This Old Man Variations: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

Traditional / arr. David Marlatt

Level: Easy

Item: 81-SQ1050

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Description
This favorite children's song has been cleverly arranged in some different styles in this easy arrangement for quintet. The melody is passed around to start, then a waltz section, and finally a Calypso feel. This is fun music that is not too difficult. Quartets in their first year of playing could perform this piece.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-613-7
ISBN13: 978-1-55473-613-3
UPC: 685462016143
SKU: 81-SQ1050
Instrumentation: Alto, Tenor & Baritone Saxophones (AATB)

More about this title

Why we love this

Marlatt's treatment transforms a nursery rhyme into a genuine musical experience without overcomplicating the young ensemble's job. The sectional contrasts (melody trading, waltz, Calypso) keep players engaged while staying well within reach of musicians still mastering their instruments.

What to expect

A playful romp through three distinct musical worlds in quick succession. The opening establishes the familiar tune before the band takes a graceful turn into waltz territory, then pivots into an easygoing tropical groove that feels lighter and more improvisational.

Who it's for

Saxophone quartets in their first or second year of ensemble playing who need repertoire that's musically rewarding but doesn't demand advanced technical skills or complex intonation challenges. Directors looking for a piece that keeps young players entertained while building ensemble confidence.

How to get the most out of it

  • Balance the melody passes during the opening section so each saxophonist has a clear moment to shine without the others receding too far into the background.
  • Shape the waltz section with gentle dynamic swells that respect the triple meter; resist the temptation to push tempo.
  • Lock the rhythmic feel of the Calypso section early in rehearsal by having the rhythm section (tenor and baritone) establish a steady groove before layering the alto's melodic line.

How to use it

Ideal for a beginning-of-year concert that celebrates ensemble formation, or as a crowd-pleasing opener that immediately tells audiences this will be a fun concert. It also works as a standalone piece in a casual recital setting where the contrast between sections keeps attention without demanding formal concert hall gravity.

Skills your students will build

  • Trading melodic lines between ensemble members
  • Shifting stylistically between straight rhythms and swung Calypso feels
  • Balancing blend while passing lead responsibility
  • Maintaining steady ensemble intonation across different textural roles

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