This December Season! Cover Image

This December Season!: 2-Part Choral Octavo

$7.95 USD
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This December Season! Cover Image

This December Season!: 2-Part Choral Octavo

A Seasonal Collection for 2-Part Voices

Music by Sally K. Albrecht, Jay Althouse, Tim Bell, Lois Brownsey, Mary Donnelly, Jerry Estes, Marti Lunn Lantz, and George L. O. Strid / ed. Sally K. Albrecht

Item: 00-23487

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Description
We've combined six of our best-selling Alfred Choral Designs seasonal titles into each of these convenient, price-saving publications. Use the six chorals individually, or perform them together as a ready-to-go 20-minute December program. Each of these four collections has been carefully selected to provide your singers and audience with a dynamic and rewarding concert experience. Includes: Jingle Bell Sleigh Ride (arr. Albrecht), In December (Althouse), Born This Christmas Day (Donnelly, Strid), Candle in the Night (Brownsey, Lantz), On the Roof (Bell/Althouse), Candle in Your Heart (Estes).

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 48
UPC: 038081238111
SKU: 00-23487

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades, serving as Director of School Choral, Vocal, and Elementary Publications at major educational publishers including Alfred Music. A prolific composer with more than 600 choral works and 75 musicals in print, she has been recognized annually by ASCAP since 1987 for her contributions to music. Her work spans conducting honor choirs at prestigious venues like Lincoln Center, Carnegie Hall, and The Kennedy Center, and she brings particular expertise in choral movement and accessibility.

Educated at Rollins College (B.A., Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has taught at Oakland University, Jersey City State College, and Meredith College. She received the Distinguished Alumna Award from both her undergraduate and graduate institutions and holds the "Pillar of Leadership" award from Omicron Delta Kappa National Leadership Honor Society. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

This collection solves the real challenge of building a cohesive December concert without assembling pieces from multiple publishers or spending weeks rehearsing disconnected material. The six selections balance sacred and secular traditions, familiar favorites alongside fresh arrangements, and solo moments with full ensemble textures. Your singers get musical variety and genuine programming momentum in one rehearsal-efficient package.

What to expect

The music moves between celebration and reflection, blending the warmth of familiar holiday language with contemporary choral writing that feels fresh and accessible. You'll encounter bright, rhythmic arrangements alongside more lyrical, intimate moments; the emotional landscape shifts intentionally throughout the program, creating a concert that resonates emotionally without becoming sentimental.

Who it's for

Directors of middle school, high school, and community choirs who need a complete, curated December concert that requires minimal additional arrangement or supplemental planning. This collection works particularly well for choirs with younger or less experienced singers, since the 2-part voicing and carefully selected repertoire provide genuine challenge without overwhelming.

How to get the most out of it

  • Shape the transitions between pieces to maintain concert flow; rehearse the key relationships so modulation between selections feels intentional rather than abrupt.
  • Explore the choral movement possibilities within each piece, particularly in the arrangements by Albrecht. Movement reinforces text memory and adds visual interest for audiences.
  • Layer dynamics across the full 20-minute arc. Start with gentler pieces, build energy mid-program, and close with something that leaves your singers and audience satisfied rather than depleted.
  • Use the recorded accompaniment as a learning tool during early rehearsals, then build independence in balance and intonation so your singers own the harmonic foundation.

How to use it

Program all six pieces consecutively as a complete 20-minute December concert, or select individual pieces to fit shorter performance windows (holiday assembly, pops concert, community event). The mix of sacred and secular works makes this flexible for school concerts, church services, or community holiday celebrations.

Skills your students will build

  • Reading 2-part voicing with independent melodic lines
  • Phrasing and musical shaping across multiple contrasting pieces
  • Harmonic independence and balance in ensemble singing
  • Text clarity and emotional communication in both sacred and secular contexts
  • Sustaining musical focus through a connected multi-piece program

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