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Things to Come: Jazz Ensemble Conductor Score & Parts

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Things to Come: Jazz Ensemble Conductor Score & Parts

As Recorded by the Arturo Sandoval Big Band

Music by Walter Gil Fuller and John "Dizzy" Gillespie / arr. Gordon Goodwin

Grade: 6 (Professional / Very Advanced)

Item: 00-40373

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Description
As recorded by Arturo Sandoval and his big band on his CD, Dear Diz (Every Day I Think of You), arranged by Gordon Goodwin. This is a swing chart that is very fast around 202--232 BPM and challenging. Solo space is provided for all 5 saxes, trombones 1 and 2 and trumpet 4. Lead trumpet range is to written to high F-sharp with optional A-flats. There are nice sax solis and a trumpet section soli (or solo) that will be a challenge. If you have the horses, play it!

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Additional Details
Series: Gordon Goodwin Series
Publisher: Alfred Music
Page Count: 90
UPC: 038081458830
SKU: 00-40373

More about this title

About the Composer: Walter Gil Fuller

Walter Gil Fuller was a saxophonist, composer, and arranger who played a crucial role in the bebop revolution of the 1940s. Working closely with Dizzy Gillespie and other pioneers of modern jazz, Fuller helped shape the harmonic language and arranging vocabulary that defined the era. His compositions and arrangements combined blues-rooted melody with sophisticated chord changes, creating pieces that challenged soloists while remaining deeply rooted in the swing tradition.

Though Fuller's name appears less frequently in jazz history than some of his contemporaries, his work as both a performer and composer influenced the direction of modern big band writing. "Things to Come" stands as a testament to his ability to write lines that sit naturally on the saxophone while demanding musicianship and technical command from the entire ensemble.

Why we love this

Gordon Goodwin's arrangement captures the raw energy of bebop at full throttle, delivering a chart that respects the original while giving your band room to swing hard. The solo space across all five saxes and both trombones ensures every section gets a moment to shine, while the high-note trumpet writing and sax soli demand the kind of focused preparation that builds real ensemble confidence. This is a performance piece that sounds impossibly sophisticated and leaves audiences exhilarated.

What to expect

Propulsive, fiery, and historically grounded. The piece captures the bebop sensibility of exploration and virtuosity set within a big band context, creating a constant tension between orchestral power and individual brilliance. Whether the rhythm section is cooking or a solo voice is cutting through, the energy never drops.

Who it's for

Advanced jazz ensembles with strong lead trumpet, capable section players across saxes and trombones, and soloists ready to navigate bebop changes at breakneck speed. This arrangement demands precision, confidence, and individual musicianship alongside ensemble discipline. Directors programming showcase concerts or festivals will find this a legitimate vehicle for demonstrating what a well-rehearsed band can do.

How to get the most out of it

  • Establish the tempo as a collective anchor before rehearsal starts. At 202 to 232 BPM, the rhythm section's time feel dictates whether the piece breathes or collapses. Spend early rehearsals locking the ride cymbal, walking bass line, and comping together at moderate tempos.
  • Balance section solos against the ensemble background. The trumpet section soli and sax soli passages need space to cut through; have the rhythm section lay back slightly in dynamics while maintaining groove.
  • Prepare lead trumpet players for the high F-sharp passages weeks in advance. Optional A-flats provide flexibility, but securing the written notes with confidence transforms the feel of the whole piece.
  • Mark all solo entrances and exits clearly in the score so ensemble players know exactly when to support and when to listen. A conductor who signals soloists visually makes the performance feel choreographed and tight.

How to use it

Position this as a showcase closer or centerpiece at a jazz concert where your band has already earned audience trust with earlier selections. The combination of high technical demands and immediate accessibility makes it effective either as a statement piece demonstrating your band's abilities or as the climactic moment in a program that moves through different jazz styles and eras.

Skills your students will build

  • Reading and executing fast bebop changes (changes at or above 230 BPM)
  • Leading and responding in ensemble soli and section passages
  • Extended high register facility on lead trumpet (written to high F-sharp)
  • Balancing individual solo voice against ensemble accompaniment
  • Swing feel and groove maintenance in a large ensemble context
  • Sectional independence and listening while playing around active melodic material

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