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There Will Never Be Another You: Piano/Vocal/Guitar Sheet

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There Will Never Be Another You Cover Image

There Will Never Be Another You: Piano/Vocal/Guitar Sheet

Lyrics by Mack Gordon, music by Harry Warren

Item: 00-39200

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Description
While the most universally known collaboration between Harry Warren (music) and Mack Gordon (lyrics) might be "At Last" (Glenn Miller, Etta James, etc.), ask any jazz musician what their favorite Warren/Gordon song is, and they'll likely say, "There Will Never Be Another You." From Lionel Hampton to Lester Young and countless others, jazz players through the ages have been attracted to the song's infectious melody and chord changes that invite and inspire improvisation. A long line of famous vocalists have met success with this romantic song, too, including Rosemary Clooney, Nat "King" Cole, Frank Sinatra, and more. This piano/vocal sheet music arrangement sounds great either as accompaniment to a vocalist or as a piano solo. Chord changes are included, including basic fingering grids for guitar.

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Additional Details
Series: Original Sheet Music Edition
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7390-8822-X
ISBN13: 978-0-7390-8822-7
UPC: 038081437286
SKU: 00-39200

More about this title

About the Composer: Harry Warren

Harry Warren composed over 800 songs during a career spanning from the 1920s through the 1960s, establishing himself as one of America's most prolific and versatile songwriters. Working across musical theater, film scores, and popular standards, Warren crafted melodies of remarkable singability and harmonic sophistication that remain central to the jazz and popular music repertoire. His collaborations with lyricist Mack Gordon produced some of the Great American Songbook's most enduring compositions, including "There Will Never Be Another You."

Why we love this

This arrangement captures what makes the tune a perennial favorite among jazz musicians: elegant harmonic movement that supports both straight interpretation and creative reharmonization. The inclusion of chord symbols and basic guitar voicings makes it accessible for mixed ensembles or vocal accompaniment settings, while the piano part stands entirely on its own as a sophisticated solo vehicle.

What to expect

Warm and unhurried, with a melody that seems to float effortlessly over intelligent jazz harmonies. The song invites both restraint and expressiveness, rewarding interpretive choices that feel personal rather than prescribed.

Who it's for

Pianists preparing jazz standards for recital or jam session contexts will find this a reliable, performance-ready lead sheet. Vocalists and vocal coaches need a flexible accompaniment that honors the song's romantic character while supporting improvisation around the melody. Guitar players and small ensemble leaders appreciate the included voicings and chord clarity.

How to get the most out of it

  • Let the melody breathe. The song's charm lies in its lyrical contour, so avoid rushing the phrase shapes even when navigating the more active harmonic passages.
  • Approach chord substitutions thoughtfully if improvising on the changes. This tune's strength comes from how the original changes support the melody; radical reharmonization can obscure what made the song famous in the first place.
  • Pay attention to the interplay between vocal line and piano voicing. When accompanying a singer, keep the upper register of your voicings clear so the melody sits prominently.
  • Use the guitar grids as a reference for voice leading, not just chord names. The fingering suggestions reveal how the original arranger voiced each harmony.

How to use it

Pair this with other Warren standards in a concert celebrating American songwriting craftsmanship, or use it as a vocal feature in a jazz ensemble concert where its harmonic depth will resonate with knowledgeable audiences. For piano recitals, it provides a welcome contrast to Classical and Romantic repertoire while showcasing the player's jazz vocabulary.

Skills your students will build

  • Reading chord symbols and lead sheet notation
  • Accompaniment voicing for vocalists
  • Recognizing and navigating jazz harmony conventions (seventh chords, ii-V progressions, tritone substitutions)
  • Interpreting melody in context of harmonic support
  • Coordination between vocalist and accompanist

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