There's a Candle Cover Image

There's a Candle: 2-Part Choral Octavo

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There's a Candle Cover Image

There's a Candle: 2-Part Choral Octavo

Music by Mary Donnelly and George L. O. Strid

Item: 00-21722

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Description
An excellent choice for December concerts, Mary Donnelly and George Strid have composed a gentle rock ballad which ties Hanukkah, Kwanzaa, and Christmas into one common theme represented by the glowing candle. Expressly written for 2-part choirs, with clearly-crafted parts that won't let you down. "All the lights of Hanukkah, the days of Kwanzaa, too, all the joys of Christmastime are shining there for you." A lovely, Carpenters-like SoundTrax is available.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081211169
SKU: 00-21722

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and initially pursued English and French at the University of Nevada, Reno. While still an undergraduate, she discovered her passion for music education by helping to establish two children's choruses. This experience led her back to graduate school, where she earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, with a focus on arts integration across the curriculum.

Donnelly taught general music and choir in Washoe County schools for thirty years before retiring. In 1985, while team-teaching sixth-grade music, she met composer George Strid, and their principal challenged them to write a musical for Reading Week. That collaboration became their first of over two hundred compositions and twenty-five musicals. She remains active in ACDA, NEA, and ASCAP.

Why we love this

This piece solves a real December programming challenge by weaving three holidays into a single, musically cohesive narrative. The Carpenters-influenced pop-rock sound appeals to singers who might otherwise feel disconnected from seasonal repertoire, and the 2-part writing is genuinely singable without sacrificing melodic interest or harmonic sophistication.

What to expect

Warm and contemplative, with the easy accessibility of a pop ballad. The piece invites singers into a reflective space where candlelight becomes a symbol of hope that transcends religious boundaries. There's an intimacy here that contrasts with the grandeur of traditional holiday chorales, making it feel both contemporary and genuinely moving.

Who it's for

This octavo works well for middle school choirs, high school treble or general choirs, and community ensembles seeking accessible repertoire with seasonal relevance. Directors who want to honor multiple winter traditions without programming three separate pieces will find this particularly useful.

How to get the most out of it

  • Balance the two parts so neither dominates; this arrangement thrives on blend rather than solo showcase.
  • Pair the piece with the recorded accompaniment to capture the contemporary pop-rock groove that defines its character.
  • Encourage students to shape phrases around the lyrical content about shared light and unity, avoiding a sing-song delivery that undermines the gentle emotional core.

How to use it

Program this as a bridge piece between more traditional holiday fare, or use it as an opener to a winter concert that celebrates diverse seasonal observances. Its moderate technical demands make it ideal for a mid-year addition to the repertoire when rehearsal time is limited but programming needs are urgent.

Skills your students will build

  • Singing in two distinct parts with harmonic independence
  • Interpreting pop-rock style with appropriate phrasing and breath control
  • Understanding how shared themes can unite different cultural traditions
  • Balancing blend and clarity in secular choral writing

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