There Is Nothing Like the Sun Cover Image

There Is Nothing Like the Sun: SATB Choral Octavo

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There Is Nothing Like the Sun Cover Image

There Is Nothing Like the Sun: SATB Choral Octavo

Words by Mary Langford, music by Paul Langford

Item: 00-41581

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Description
An eloquent lyric and a soaring vocal line are seamlessly combined in this tribute to the power of the sun. Expressive and dynamic, the warm harmonies are well suited to the beautiful text.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 12
UPC: 038081466613
SKU: 00-41581

More about this title

About the Composer: Paul Langford

Paul Langford

Paul Langford is a Hong Kong-born composer, arranger, conductor, and keyboardist now based in Chicago. Over three decades, his compositions and arrangements have been performed by major symphony orchestras across North America, Disney entertainment ensembles, and countless choirs and jazz bands internationally. His catalog appears through Alfred Music, Hal Leonard, Shawnee Press, Walton Music, and Oxford University Press.

Beyond composition, Langford maintains an active career as a studio and live performer, having collaborated with Grammy Award-winning artists including David Foster, Michael Bublé, Josh Groban, and Celine Dion. He serves as guest music director and arranger for Chicago A Cappella, leads his own recording studio in the Chicago area, and travels regularly as a guest conductor and clinician for ensembles across the United States and abroad.

Why we love this

Langford crafts a lyric that matches the emotional trajectory of his melody, creating a piece where text and music amplify each other rather than compete for attention. The harmonic language feels modern enough to engage contemporary singers without losing accessibility, and the dynamic arc gives every section of your choir a moment to shine.

What to expect

Warm and luminous, with harmonies that feel naturally human rather than overly constructed. The soaring vocal line invites singers into a narrative about something larger than themselves, backed by rich vertical sonorities that create a sense of radiance and celebration.

Who it's for

This octavo suits intermediate to advanced SATB choirs seeking secular concert or festival repertoire with genuine expressive depth. Directors working with ensembles that have secure fundamentals and can balance multiple textures will find a piece that rewards careful preparation and delivers strong audience impact.

How to get the most out of it

  • Balance the soprano line as it rises; the melody's soaring quality depends on clarity rather than volume, especially in the higher passages.
  • Shape the harmonic progression through subtle dynamic shaping in the inner voices. The warm harmonies carry their own weight and don't need constant forte singing to land.
  • Attend to text underlay throughout. Langford's phrasing often extends across bar lines, so mark your scores to show exactly where syllables align with the melodic contour.
  • Allow the choir to breathe between phrases rather than pushing through to maintain dynamic momentum. The piece benefits from moments of repose that let the harmonies resonate.

How to use it

Program this as a substantial concert centerpiece or as part of a thematic set exploring light, nature, or renewal. Its 12-page length and moderate difficulty make it suitable for spring concerts, outdoor performances, or festival competitions where you want a piece that stands on its own musically rather than serving as filler.

Skills your students will build

  • Balance of soprano melody with supporting harmonies
  • Sustaining pure vowels across dynamic ranges
  • Phrase shaping and strategic breathing
  • Harmonic blend across four distinct voice parts
  • Text-music alignment and syllabic clarity

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