There Is a Santa Claus: 2-Part Choral Octavo

This arrangement transforms a Broadway showstopper into something genuinely singable for younger or developing choirs without sacrificing the infectious joy of the original. Beck's 2-part voicing opens the piece to mixed-age ensembles, and the straightforward harmonic language means your singers can focus on bringing out the personality and warmth in the text. Programming a Christmas show that actually engages your singers (and keeps them smiling through rehearsals) becomes much easier when the material is this cheerful and well-crafted.

Bright, confident, and genuinely warm. The song radiates the kind of theatrical sincerity that makes a crowded room believe in magic again. Your singers will feel the dopamine hit of the original Broadway moment, even at a simpler vocal level.

This octavo works for middle school and high school choirs seeking accessible holiday repertoire with contemporary appeal. Developing ensembles will appreciate the straightforward part-writing, while more experienced groups can dig into the stylistic nuances and interpretive freedom the arrangement offers.

• Lean into the comedic spirit of the lyrics; this song succeeds when your singers enjoy the playfulness of answering a kid's sincere question with Broadway conviction.
• Balance the two parts so neither voice dominates, especially in unison passages, so the ensemble sound stays cohesive and full.
• Use the recorded accompaniment to lock in the rhythmic energy early; the groove matters as much as the melody here.
• Shape phrases with a slight lift at cadences to keep the jubilant character moving forward and prevent the piece from sagging emotionally.

This pairs beautifully in a Christmas concert as a palate-cleanser between traditional carols and secular holiday standards, or as a fun opener that signals to your audience they're in for an entertaining evening. The song's theatrical DNA also makes it ideal for schools programming shorter musical theater moments or comedy-forward concerts.

• Singing 2-part harmony with clear voice independence
• Stylistic interpretation in a contemporary pop/musical theater idiom
• Maintaining rhythmic accuracy and groove in a syncopated arrangement
• Diction and comedic timing in sung text
• Blending unison passages while maintaining individual part clarity