There Is a Santa Claus: SATB Choral Octavo
from the Broadway musical Elf
Words and music by Chad Beguelin and Matthew Sklar / arr. Andy Beck
Item: 00-PO-0005738
Minimum order quantity: 20 copies
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More about this title
About the Composer: Chad Beguelin
Chad Beguelin has established himself as a lyricist and composer for stage and screen, with a particular gift for writing music that captures both humor and heart. His work on the Broadway adaptation of Elf demonstrates his ability to craft songs that honor their source material while standing on their own as memorable theatrical moments.
Why we love this
Beck's arrangement captures the infectious optimism of the film without sacrificing musical substance; the voicing choices let ensembles at different skill levels find their footing while maintaining the original's charm. This is the kind of holiday repertoire that genuinely energizes a choir rather than feeling obligatory, and its connection to a beloved film gives audiences an immediate emotional entry point.
What to expect
Warmth and mischief in equal measure. The music bubbles with infectious optimism and seasonal cheer, anchored by clear harmonic writing that lets every voice feel valued. There's a theatrical lightness underneath that honors both the film's whimsy and the genuine sincerity of the question at the heart of the text.
Who it's for
Directors seeking a Christmas octavo that works for intermediate to advanced SATB choirs without demanding specialized vocal technique. This piece serves equally well in concert settings and in festive community performances where the Elf connection gives audiences an immediate smile of recognition.
How to get the most out of it
- Shape the melodic lines with clear phrase direction; the text's conversational tone can flatten into recitation without intentional arc and release.
- Balance the harmony so upper voices remain distinct during the jubilant sections; the density of the arrangement rewards crisp voice leading.
- Lean into the theatrical character of the piece without oversinging it; comedic timing in the lyrics lands best when the ensemble stays grounded and present.
How to use it
Slot this into the second half of a holiday concert where the audience is fully engaged and ready for something both spirited and fun. It pairs well alongside more traditional carols earlier in the program, offering a contemporary contrast that demonstrates your choir's range and musicality.
Skills your students will build
- Balancing solo voices against harmonic support in the SATB texture
- Maintaining rhythmic precision through syncopated and straightforward sections
- Shaping lyrical phrases with comedic and emotional intention
- Reading and performing in a contemporary popular music idiom