Theme from <i>New York, New York</i> Sheet Music Preview

Theme from New York, New York: TTBB Choral Octavo

Music by John Kander, words by Fred Ebb / arr. Mark Hayes

Item: 00-PO-0007761

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$2.10

Minimum order quantity: 20 copies

Description
Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable "Sinatra-style," complete with the irresistible final kick line. A choral classic, sure to last in your library for years. "Start spreadin' the news!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0007761

More about this title

About the Composer: John Kander

John Kander composed the music for some of Broadway's most iconic shows, including Cabaret, Chicago, and Zorba. His collaboration with lyricist Fred Ebb produced some of the most recognizable theater songs in American musical history. Kander's gift for writing melodies that capture a moment and embed themselves in popular memory makes his work enduringly appealing to singers and audiences alike.

Beyond Broadway, Kander's compositions have become standards in both theatrical and concert settings. His influence on American musical theater extends through decades of productions, recordings, and arrangements across every performance level. For choral directors, his melodies offer the rare combination of immediate accessibility and genuine musical substance.

Why we love this

Mark Hayes has arranged this perennial favorite with unmistakable Sinatra flair and style, capturing the swagger and charm that made the original unforgettable. The addition of a structured kick line finale gives your singers something theatrically exciting to execute, transforming a concert moment into genuine entertainment. This octavo hits that sweet spot where popular repertoire meets legitimate choral writing, ensuring your audience connects immediately while your singers engage with real musicianship.

What to expect

The Big Apple swagger meets Sinatra cool. This octavo captures the confidence and uptown polish of the original while giving your singers room to perform with personality and charm. The ending kicks with pure theatrical energy, the kind of moment that leaves an audience grinning.

Who it's for

This arrangement works for choirs of intermediate to advanced ability who want accessible popular repertoire with theatrical flair. Mixed or upper-voice choirs seeking a show-stopping closer that audiences recognize instantly will find this piece rewarding to rehearse and perform.

How to get the most out of it

  • Establish the swagger from the opening notes. This arrangement asks singers to project personality and attitude, not simply deliver notes. Work the phrasing for storytelling rather than technical precision.
  • Nail the final kick line as a unified rhythmic and physical gesture. Coordinate with soloists and section leaders before adding the full ensemble so the ending lands with confidence.
  • Use the recorded accompaniment to anchor tempo and style, especially for the jazz articulations and swing feel that define the Sinatra interpretation.
  • Balance the solo passages clearly against the full choir. The arrangement likely features moments where individual singers step forward; rehearse these voices separately to ensure they sit confidently in the mix.

How to use it

Close a concert or show with this piece when you want to send an audience out smiling. It works beautifully as a finale for spring pops concerts, benefits, or celebration events where theatrical energy enhances the program. Pair it with other Kander standards or mid-century jazz standards to build a cohesive set.

Skills your students will build

  • Jazz articulation and swing phrasing
  • Solo and ensemble balance
  • Theatrical performance and stage presence
  • Rhythmic precision in synchronized stage movement
  • Stylistic interpretation of American popular song

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