The Wizard of Oz -- Choral Revue Cover Image

The Wizard of Oz -- Choral Revue: Choral Octavo SoundTrax CD

$39.99 USD
$39.99 USD
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The Wizard of Oz -- Choral Revue Cover Image
The Wizard of Oz -- Choral Revue: Choral Octavo SoundTrax CD

The Wizard of Oz -- Choral Revue: Choral Octavo SoundTrax CD

Arr. Greg Gilpin, orchestrated by Pete Schmutte

Item: 00-CM97119CD
$39.99
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Description
For the very first time, all of the wonderful songs from the motion picture classic The Wizard of Oz are brought together in this exquisitely crafted choral revue. Audiences of all ages will be thrilled to hear this delightful choral setting of the timeless music. This 10-minute revue includes: Munchkinland * Ding Dong! The Witch Is Dead * The Lullaby League * We're Off to See the Wizard * If I Only Had a Brain * The Merry Old Land of Oz * Over the Rainbow. The Pete Schmutte orchestration adds that 'MGM' style extravaganza sound to make every performance of this review a real event! Bring the incredible story to life by adding this revue to your next concert. A SoundTrax CD is available.

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7692-0147-4
ISBN13: 978-0-7692-0147-4
UPC: 029156698459
SKU: 00-CM97119CD

More about this title

Why we love this

Schmutte's orchestration captures the unmistakable MGM sound, giving your singers the cinematic sweep they deserve without overwhelming a school ensemble. This revue proves that a medley can function as a complete dramatic arc, not just a collection of hits. The pacing moves singers through Munchkinland's whimsy straight into 'Over the Rainbow's emotional heart, making rehearsal feel like building a real production.

What to expect

Pure theatrical joy. The arrangement captures the innocent wonder of Dorothy's journey while never losing sight of the whimsy and heart that made the film unforgettable. Singers experience the full emotional range of the story: childlike delight in the Munchkinland sequence, sudden darkness with the Witch's demise, and finally the transcendent beauty of 'Over the Rainbow' as the emotional climax of the whole piece.

Who it's for

Choirs performing at pops concerts, variety shows, or spring programs who want an audience-pleasing centerpiece with genuine musical substance. This works equally well for middle school choirs building confidence with a beloved storyline and high school singers looking for an entertaining group number with theatrical flair.

How to get the most out of it

  • Balance the ensemble voices against featured solos in 'Ding Dong! The Witch Is Dead' and 'If I Only Had a Brain' by staging soloists downstage and keeping the choir's dynamic support conversational rather than overwhelming.
  • Lean into the rhythmic character of 'Munchkinland' early in rehearsals so singers understand the playful articulation that sets the revue's tone before moving into the more lyrical sections.
  • Layer your vocal ranges intentionally during 'The Merry Old Land of Oz' to create the full ensemble shimmer the arrangement assumes; unison singing in this section reads thin against the recorded accompaniment.
  • Use the SoundTrax recording in sectional rehearsals to lock tempos and entrances, particularly where the melody passes between voice parts during transitions between songs.

How to use it

Program this as the finale of a spring concert where the audience can settle in for a complete entertainment experience rather than a quick medley. The 10-minute duration and familiar storyline make it an ideal closer that leaves listeners smiling as they leave the theater. It also works beautifully as part of a Broadway or film music themed concert, anchoring the program with universally recognized material.

Skills your students will build

  • Sustaining long musical phrases across multiple song sections without losing breath support
  • Transitioning between contrasting tempos and moods (playful to somber to triumphant) within a single piece
  • Blending ensemble sound while maintaining clarity of diction in rapid-fire sequences like 'Munchkinland'
  • Balancing as an accompanying choir behind featured soloists
  • Reading and executing ensemble parts that support a recorded orchestral accompaniment

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